A loose reworking of the classic Romeo and Juliet story - the twist being that the warring families are Werewolves and Vampires. Selen (Beckinsale) is one of the sophisticated vampires, but when she falls for Michael (Scott Speedman) one of the thuggish Lycan werewolves, the balance of power could shift and cause chaos in the dark underbelly of the streets.

When the world's heavyweight champion is sent to prison, everything points to an inevitable showdown with the penitentiary's undefeated champ. But to make sure the meeting will happen, a former mob boss must call in favors from the outside world.

Edward Sumner and his wife Connie live a happy and contented life with their eight year old son Charlie on Long Island, New York. When Connie meets with Paul Martel, a handsome stranger their lives are turned around forever...

Edward Sumner and his wife Connie live a happy and contented life with their eight year old son Charlie on Long Island, New York. When Connie meets with Paul Martel, a handsome stranger their lives are turned around forever...

Winner of four Academy Awards, including best picture, director, supporting actor and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarised everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalised a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colourful role for Richard Harris, Unforgiven is arguably Eastwood's crowning directorial achievement. --Jeff Shannon