Novelist James Clavell wrote, produced and directed this 1967 British film (based on the novel by E. R. Braithwaite) about a rookie teacher who throws out stock lesson plans and really takes command of his unruly, adolescent students in a London school. Sidney Poitier is very good as a man struggling with the extent of his commitment to the job, and even more as a teacher whose commitment is to proffering life lessons instead of just academic ones. The spirit of this movie can also be found in more recent films such as Dangerous Minds and Mr. Holland's Opus, but none are as moving as this. Besides, the others don't have a title song performed by Lulu, who also stars. --Tom Keogh

To the Manor Born is another BBC sitcom from the genre's golden age, one that came to dominate the ratings during its initial three series run from 1979-80. Providing Penelope Keith with her first major role after The Good Life, the show focuses on a way of life that now appears hard to comprehend, with storylines concerning hunt balls, village committees and eccentric brigadiers only adding to the dated feel. What provided the programme's key interest, however, was not the terribly quaint Little England setting but the burgeoning relationship between Keith's Audrey Fforbes-Hamilton and Richard De Vere (Peter Bowles), the new owner of Audrey's old home, Grantleigh Manor. It's all very, very English (the show is set in a village called Cricket St Thomas) and the continuing use of farce almost creates a sense of parody: but look beyond the infuriating stereotypes and there is some sharp writing going on, predating the city vs countryside debate by nearly two decades. Penelope Keith is, as ever, fantastic value and while new viewers may simply not get the joke, those after a spot of nostalgia could do far worse. --Phil Udell

To the Manor Born is another BBC sitcom from the genre's golden age, one that came to dominate the ratings during its initial three series run from 1979-80. Providing Penelope Keith with her first major role after The Good Life, the show focuses on a way of life that now appears hard to comprehend, with storylines concerning hunt balls, village committees and eccentric brigadiers only adding to the dated feel. What provided the programme's key interest, however, was not the terribly quaint Little England setting but the burgeoning relationship between Keith's Audrey Fforbes-Hamilton and Richard De Vere (Peter Bowles), the new owner of Audrey's old home, Grantleigh Manor. It's all very, very English (the show is set in a village called Cricket St. Thomas) and the continuing use of farce almost creates a sense of parody: but look beyond the infuriating stereotypes and there is some sharp writing going on, predating the city vs countryside debate by nearly two decades. Penelope Keith is, as ever, fantastic value and while new viewers may simply not get the joke, those after a spot of nostalgia could do far worse. --Phil Udell

To the Manor Born is another BBC sitcom from the genre's golden age, one that came to dominate the ratings during its initial three series run from 1979-80. Providing Penelope Keith with her first major role after The Good Life, the show focuses on a way of life that now appears hard to comprehend, with storylines concerning hunt balls, village committees and eccentric brigadiers only adding to the dated feel. What provided the programme's key interest, however, was not the terribly quaint Little England setting but the burgeoning relationship between Keith's Audrey Fforbes-Hamilton and Richard De Vere (Peter Bowles), the new owner of Audrey's old home, Grantleigh Manor. It's all very, very English (the show is set in a village called Cricket St. Thomas) and the continuing use of farce almost creates a sense of parody: but look beyond the infuriating stereotypes and there is some sharp writing going on, predating the city vs countryside debate by nearly two decades. Penelope Keith is, as ever, fantastic value and while new viewers may simply not get the joke, those after a spot of nostalgia could do far worse. --Phil Udell

To the Manor Born is another BBC sitcom from the genre's golden age, one that came to dominate the ratings during its initial three series run from 1979-80. Providing Penelope Keith with her first major role after The Good Life, the show focuses on a way of life that now appears hard to comprehend, with storylines concerning hunt balls, village committees and eccentric brigadiers only adding to the dated feel. What provided the programme's key interest, however, was not the terribly quaint Little England setting but the burgeoning relationship between Keith's Audrey Fforbes-Hamilton and Richard De Vere (Peter Bowles), the new owner of Audrey's old home, Grantleigh Manor. It's all very, very English (the show is set in a village called Cricket St. Thomas) and the continuing use of farce almost creates a sense of parody: but look beyond the infuriating stereotypes and there is some sharp writing going on, predating the city vs countryside debate by nearly two decades. Penelope Keith is, as ever, fantastic value and while new viewers may simply not get the joke, those after a spot of nostalgia could do far worse. --Phil Udell

To the Manor Born is another BBC sitcom from the genre's golden age, one that came to dominate the ratings during its initial three series run from 1979-80. Providing Penelope Keith with her first major role after The Good Life, the show focuses on a way of life that now appears hard to comprehend, with storylines concerning hunt balls, village committees and eccentric brigadiers only adding to the dated feel. What provided the programme's key interest, however, was not the terribly quaint Little England setting but the burgeoning relationship between Keith's Audrey Fforbes-Hamilton and Richard De Vere (Peter Bowles), the new owner of Audrey's old home, Grantleigh Manor. It's all very, very English (the show is set in a village called Cricket St. Thomas) and the continuing use of farce almost creates a sense of parody: but look beyond the infuriating stereotypes and there is some sharp writing going on, predating the city vs countryside debate by nearly two decades. Penelope Keith is, as ever, fantastic value and while new viewers may simply not get the joke, those after a spot of nostalgia could do far worse. --Phil Udell