The Tenth Kingdom, an epic 10-hour miniseries from the Emmy-winning screenwriter of Gulliver 's Travels, was a ratings failure when broadcast on US television, but on video and DVD, where it can be enjoyed at one's leisure, it has a better chance to cast its magical spell. Kimberly Williams has never been more enchanting than as Virginia, a waitress who still lives with her janitor father (John Larroquette) and yearns for something exciting to happen to her. Her wish comes true when she and her father are transported from New York City into a dimension that, with apologies to Rod Serling, can only be called the "Fairy Tale Zone"; nine kingdoms populated by characters from fairy tales of yore. They team up with a dog who's really a prince--Wendell, grandson of Snow White--changed into canine form by the evil Queen (Dianne Wiest), who plots to usurp Wendell's throne. Father, daughter, and his royal dogness are relentlessly pursued through the nine kingdoms by the Troll King (Ed O'Neill) and his three bumbling and horrible children, and the conflicted Wolf (Scott Cohen), who is allied with the Queen but, with the aid of some Oprah-esque self-help books, tames his inner beast and falls in love with Virginia.

The Tenth Kingdom is also a special effects extravaganza. There is indeed, as one character marvels, "magic to behold". But despite the Hallmark brand name and the presence of a grown-up Snow White (Camryn Manheim) and Cinderella (Ann-Margret), bewitched animals, magic mirrors and trolls, this is not kid's stuff. It can get scary, surprisingly violent and quite intense, just like real fairy tales. --Donald Liebenson, Amazon.com

Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail. Their personal and professional conflicts are intensified by their love for the same woman, a waitress (Michelle Pfeiffer) at the Italian restaurant they both frequent. There's a big deal going down with a drug lord (the late Raul Julia), but as it twists and turns, Towne's story is really more about personal loyalties and individual honour. And even if it doesn't quite hold together, the movie's got a fantastic look to it (courtesy of the great cinematographer Conrad Hall), and the three stars bring depth and dimension to their well-written roles. --Jeff Shannon