Includes The Rock vs Booker T, Steve Austin vs Kurt Angle, Jeff Hardy vs Rob Van Dam and more. Includes their famous matches with Dudley Boyz and Edge And Christian and the story how they climbed to the top. A true story about a successful TV star who meets again with his old school professor sixteen years after promising 'to keep in touch'. Mitch has given up a career as a jazz painist to take a lucrative but unfulfilling career as a sports reporter. When Morrie, Mitch's former professor, discovers he is terminally ill, he decides to contact Mitch and teach him a few lessons about life..."

Fall and Resurrection was conceived by Sir John Tavener, perhaps the leading present-day composer of British spiritual music, to mark the new Millennium. Its premiere, preserved on this recording, took place at St Paul's Cathedral in January 2000, the acoustic of that historical venue contributing much to an intensely emotional experience for the audience, the singers and the musicians. It is an epic, tonal poem in which Tavener sublimates his own artistic achievement in a series of primordial movements and chants which encapsulate moments before, during and after Creation, ultimately offering a vision of divine hope which is tumultuous and profoundly moving.

The performances, particularly from soprano Patricia Rozario and bass Stephen Richardson, are absorbing; Richard Hickox at the helm of the City of London Sinfonia ensures that all due attention is paid to the complexity and detail of Tavener's score, which is based on a Byzantine chant and including a variety of ancient instruments, from the kaval to Tibetan temple bowls. As Tavener explains in the accompanying interviews, he sees music as "liquid metaphysics", and truly sacred music can only be achieved through the total self-effacement of the composer. Thus he sets the listener--and viewer--a daunting task. Rising to it is not merely an auditory challenge. It requires an almost physical surrender. This is music which is absorbed as much as heard.

On the DVD: Fall and Resurrection, presented in 16:9 anamorphic format, is splendidly delivered via a Dolby Digital 5.1 Surround Sound audio track which transports the viewer to the vaulting interior heights of St. Paul's Cathedral. Extras include two interviews with Tavener in which he talks with fascinating intensity about his own faith, the role of the composer and the complex musical and spiritual images encompassed by this work. --Piers Ford

Executive-produced by Luc Besson (The Big Blue) but directed by the far more obscure Gérard Pirès, this anodyne but perfectly amiable buddy movie-cum-policier sets up sexily scar-faced Samy Narceri as a speed-obsessed Marseilles taxi driver who's cajoled into helping clumsy cop Frédéric Diefenthal catch a gang of German bank robbers. The dialogue, characterisation and plotting are as flimsy as a rusty Lada, but they're only padding anyway between the slices of car-chase and motorway action that form the steely infrastructure of the film. These, indeed, are pretty spectacular: impressively fast, they're filmed by either low-slung bumper-mounted cameras to make the road seem perilously close or from helicopters to show just how unfaked the action is, while the generally excellent soundtrack pumps relentlessly on. The final stunt, involving an unfinished motorway overpass, is a real beauty in particular.

When not zooming round corners and round asphalt, the characters puzzle dimly over the blindingly obvious ruses of the baddies and make continually frustrated attempts to sleep with their unfeasibly pneumatic love interests. If a French lad's magazine could talk, it would look something like Taxi, which of course will be no bad thing for many a viewer. --Leslie Felperin