Woody Allen makes beautiful music but only fitful comedy in Sweet and Lowdown the story of "the second greatest guitar player in the world." Sean Penn plays Emmett Ray, an irresponsible, womanising swing guitar player in Depression-era America who is guided by an ego almost as large as his talent. "I'm an artist, a truly great artist," he proclaims time and time again, and when he plays, soaring into a blissed-out world of pure melodic beauty, he proves it. Samantha Morton almost steals the film as his mute girlfriend Hattie, a sweet Chaplinesque waif who loves him unconditionally, and Uma Thurman brings haughty vigour to her role as a slumming socialite and aspiring writer who's forever analysing Emmett's peculiarities (like taking his dates to shoot rats at the city dump). The vignette-like tales are interspersed with comments by jazz aficionados and critics, but this is less a Zelig-like mockumentary than an extension of the self-absorbed portraits of Deconstructing Harry and Celebrity. The lazy pace drags at times and the script runs dry between comic centrepieces--the film screams for more of Allen's playful invention--but there's a bittersweet tenderness and an affecting vulnerability that is missing from his other recent work. Shot by Zhao Fei (The Emperor and the Assassin, Raise the Red Lantern), it's one of Allen's most gorgeous and colourful films in years, buoyed by toe-tapping music and Penn's gruffly charming performance. --Sean Axmaker, Amazon.com

A biopic directed by Karel Reisz, Sweet Dreams charts how country music star Patsy Cline came by the torchy emotions in her songs honestly; rising from poor surroundings, literally forcing her talent on the Nashville establishment, all the while trying to survive an abusive marriage to a drinker. Though the script by Robert Getchell is standard Hollywood biography, the movie is more than watchable, thanks to a bone-deep performance by the always astonishing Jessica Lange and the counterpoint by Ed Harris as her loving but unreliable husband. The soundtrack features a basketful of Cline's hits, which Lange convincingly lip-synchs. --Marshall Fine

What more could a girl ask for? enchanting, attractive and a successful life with a wonder boy proposing. Well, what is holding Melanie from this is a contrary past life.

Screen favorites Sam Neill , Helena Bonham Carter , and Kristin Scott Thomas form a winning combination in this offbeat, uncommonly funny comedy

Released in 2002, Sweet Sixteen represents Ken Loach's finest and most successful work in years. Set in Greenock, a small Glaswegian suburb whose magnificent surrounding landscape contrasts with the urban deprivation of its grey streets and tenements, it tells the story of 15-year-old Liam (Martin Compston), an entrepreneurial young scamp who flogs knocked-off cigarettes in pubs with his best mate Pinball. However, determined to wean his imprisoned mother off her drug-dealing boyfriend Stan, he graduates to selling hard drugs for big-time gangster Tony. He's unscrupulous yet selfless, happy to resort to crime to create a new life for his mum and reunite her with his older sister Chantelle. But reality will sorely test his naive illusions.

Sweet Sixteen, scripted by Paul Laverty, is quintessential Loach, exciting tremendous sympathy for a character whom in real life you might distantly regard as a contemptible scumbag, without romanticising either him or his lifestyle and upbringing. Yet there's real and touching pathos in his deep-seated need to restore his fractured, domestic background: touchingly and pathetically he regards the tiny £6,000 riverside caravan he's earmarked for his mum as "paradise". By the end of the movie, you truly want to hug the poor knife-wielding smack dealer. The cast of (mostly) unknowns all turn in sterling, authentic performances but Martin Compston rightly took plaudits for his unaffected, deeply engaging portrayal of Liam.

On the DVD: Sweet Sixteen on disc offers numerous extras. Subtitles including English may prove necessary even for English speakers to cut through the foggy Glaswegian accents. In the commentary, Loach slams the British Board of Film Censors for their "ludicrous" decision to award the film an 18 certificate. Meanwhile, a short documentary, Sweet Success, reflects on how the film wowed Cannes and the impact it's had on the life of its star, the 17-year-old plucked from obscurity in a mass audition who gave up a promising career as a professional footballer to take up acting instead. --David Stubbs