The second series of Spaced finds the gang at 23 Meteor Street a little older, but definitely none the wiser. Tim's career is hampered by severe hang-ups over The Phantom Menace. Daisy's career is just plain non-existent. There is still a spark of sexual tension between them, but it's overshadowed by Brian and Twist getting it on. Propelling the seven-episode series arc is the threat of Marsha discovering that none of the relationships are what they seem, Mike's increasing jealousy and a new love interest for Tim. That's the basis for a never-ending stream of in-jokes and references that easily match the quality of the first series. Tim has a Return of the Jedi flashback, then déjà vu in reliving the end of The Empire Strikes Back. There are spoofs of One Flew Over the Cuckoo's Nest, Robocop, The Sixth Sense and comedy rival The Royle Family. There are guest spots from Bill Bailey, Peter (voice of Darth Maul) Serafinowicz and The League of Gentlemen's Mark Gatiss and Reece Shearsmith. Every episode is packed with highlights, but this series' guaranteed geek pant-wetting moments have to be the mock gun battles, slagging off Babylon 5 and learning that "The second rule of Robot Club is: no smoking." Jessica Stevenson won a British Comedy Award for this year. It deserved a whole lot more.--Paul Tonks

On the DVD: There's a chaotic but highly enthusiastic commentary from the director and cast, including of course Simon Pegg and Jessica Stevenson, who also talk about some deleted scenes and why they were removed. There's an outtakes blooper reel, as well as a selection of raw location footage and a self-explanatory clip, "Daisy Does Elvis". The most useful feature, though, is the subtitle "Homage-o-Meter" facility, which displays all the movie references throughout the series. --Mark Walker

Plácido Domingo is no stranger to stadium events, though in the old days it was as a singer with his pals, Pavarotti and Carreras. In Spanish Night with baton in hand he has an appealingly avuncular manner, and he couldn't hope for a better class of orchestra than the Berlin Philharmonic, here playing in their annual open-air concert given at the city's Waldbühne. It's a real crowd-pleaser of a programme (and the audience's enthusiasm is immediately apparent and increasingly boisterous as the evening wears on). None of the works stretches the concentration unreasonably, and the views of Spain come not only from home-grown composers (Sarasate, Torroba, Serrano and Vives) but also as viewed through other eyes: Rimsky-Korsakov's Capriccio espagnole, Chabrier's España and Johann Strauss II's Spanish March.

A pair of soloists increase the sequin quotient of the evening: the consummately poised violinist Sarah Chang (who has been round for so long it's difficult to believe she's still only 20) and the full-voiced soprano Ana María Martínez, winner of the Plácido Domingo Vocal Competition in Barcelona. Given the visual limitations of such events, the camerawork is imaginative without being distracting, and the sound, if a little boxy, is perfectly acceptable. Above all there's a great sense of fun to the occasion, and in the final number, Lincke's Berliner Lufte, Domingo is unable to resist seizing the microphone and leading the singing.

On the DVD Sound options are either Dolby Digital 5.1 or PCM stereo and the picture is formatted for 16:9 TVs. A variety of goodies have been added to the concert itself, including interviews with Domingo and Sarah Chang, footage of flamenco dancing in Berlin (which is vaguely relevant) and a behind-the-scenes documentary.--Harriet Smith