Anybody seen Keanu? The action star of Speed opted out of this overbearing sequel, which finds co-star Sandra Bullock in love with another guy (Jason Patric) and in trouble aboard a cruise ship under the control of a mad extortionist (Willem Dafoe). Speed director Jan de Bont is back at the helm for part 2, but even he seems to have forgotten that what made the first film work was the simplicity of its hook (the bomb, the bus that can't drive below 50 mph, the handful of sympathetic passengers, etc.). Speed 2 is all about hugeness: big ship, lots of places to get into trouble and so on. Even with an eye-popping, endless finale of the vessel crashing into port (and causing mondo destruction), there is nothing about this movie that is remotely as involving as its predecessor. --Tom Keogh

A documentary of quirky proportions - following a group of kids as they strive to reach the finals, beating 9 million other children, to become National Spelling Bee Champion...Sounds weird right? Well, it's wooed audiences, and if you're a fan of docos this will be up your street. Nominated for the Documentary Academy Award.

From yet another derivative science fiction novel by Michael Crichton comes Sphere, an equally derivative and flaccid movie, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. You're supposed to find awe and mystery in Crichton's story about a team of scientists and scholars who discover a 300-year-old alien spacecraft deep on the ocean floor, but mostly you feel that this is all much ado about nothing. The exploration team consists of a psychologist (Dustin Hoffman), mathematician (Samuel L Jackson), biochemist (Sharon Stone), and an astrophysicist (Live Schreiber), and when they enter the alien ship they discover a mysterious sphere inside. What they don't know is that the sphere has the power to manipulate their thoughts and perceptions, and before long the scientists' undersea habitat is a veritable haunted house of frightening visions and creeping paranoia. Who can be trusted? What is the sphere's purpose, and why is it on the ocean floor? Sphere makes some attempt to answer these questions, but the film is a mess, and it leads to one of the most anticlimactic endings of any science fiction film ever made. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere looks and feels like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com

One of the reasons that the Spice Girls remain so much fun is that in the great British tradition, they don't take themselves too seriously. Like The Beatles before them, the girls are more than happy to take pot-shots at their own manufactured image, something that Spiceworld: The Movie revels in. It doesn't hurt, of course, that plenty of others are along for the ride: Richard E. Grant chews scenery as the road manager; Meat Loaf is the kindly, ever-reliable bus driver; Elvis Costello (!) makes a tongue-in-cheek cameo; and Roger Moore is... well, bizarre. The plot, as such, is merely a convenience, somehow tying together the girls' first-ever live concert, a pregnant friend, a documentary film crew, a non-Spice love story, and something or other about a tabloid photographer. But that's not the point--what matters here is a surprisingly deft touch by director Bob Spiers and a script that refuses to take anything too seriously; the result is a gentle self-parody that knows just how far to take the joke. --Randy Silver

Recently released mental patient 'Spider' (Fiennes) lands in simple housing, not far from where he was brought up as a child. As his mind starts spinning again, he relives the events that lead up to him being sectioned.