Special episodes broadcasted in the Christmas of 74,75 and 78. These are: 'Jessica's First Christmas' ,'Learning To Drive' and'Learning To Fly'.

Part love story, part comedy, part study of madness, Some Voices is above all a beautifully observed, elegantly written and brilliantly acted low-key British film. The story of Ray (Daniel Craig) and his relationships with his brother Pete (Dave Morrissey) and new girlfriend Laura (Kelly Macdonald) after his release from psychiatric hospital, it is the interaction between the three that forms the cornerstone of the movie. Craig dominates proceedings as his character finds himself needlessly torn between the two, capturing Ray's descent into madness far better than the rather unnecessary over use of visual effects. The interplay between all three is superb, particularly Craig and Macdonald who spend the first two-thirds of the story developing a dependence that is pure sweetness and light before darkness descends. Director Simon Cellan Jones (whose previous credits include Our Friends in the North) allows his first feature film to develop at it's own pace, letting the script and performances dictate the action. The West London setting fizzes with a life that Notting Hill barely hinted at, proving that a movie set in the capital (or indeed made in Britain) doesn't have to rely on mock cockney gangster stereotypes to reflect the city. This is a self-assured, engaging and ultimately moving piece of filmmaking.

On the DVD: The accompanying documentary and interviews offer little insight into the process and are edited down to minute-long segments with little attempt to examine the bigger picture. Jones' commentary, however, does provide an interesting insight into the perils of making a film on a small budget. --Phil Udell

Someone to Watch Over Me is a stylish, smart film noir directed by Ridley Scott (Blade Runner). The movie stars Tom Berenger as a New York cop and family man who falls for the rich and beautiful witness (Mimi Rogers) he's assigned to protect. Scott, who always displays a distinctive eye for extraordinary art direction, does something here he should be doing a lot more often: directing contemporary noir. Berenger and Rogers rise to the occasion, seemingly aware that they're making something special. --Tom Keogh, Amazon.com