Dr Alex Hesse's life changes when the Biotechnology Centre withdraws funding on his project to develop a super fertility drug for women. Refusing to give up, he implants himself with an egg and becomes pregnant.

A black comedy set in the future which centres on the tenants of a butcher's shop who always seem to have an endless supply of meat. An underground vegetarian movement takes on the cannibals. French dialogue with subtitles.

As a tale of self-discovery, Silkwood, Mike Nichols' 1982 biopic of the plutonium factory worker who uncovered negligence and dangerous practices at the heart of her employer's company, works well enough.

Karen Silkwood (Meryl Streep) is no saint. She drinks, cheerfully gets 'em out for the boys, has left her husband and kids and lives in a curious ménage à trois with her lover, (Kurt Russell) and their lesbian friend (Cher). But, through her own dawning suspicions, she is drawn into union activism and embarks on a crusade to expose the rottenness of her paymasters, only to die in a mysterious car crash. And here is the flaw. The film can't decide whether it's quirky soap opera, a campaigning blow for the anti-nuclear lobby or an allegory for the conflict between the rights of the individual and the demands of the corporate giant. It stops short of providing some important conclusions about what really happened to its central character, and why. Streep is fine though, injecting her character with a studied mixture of innate intelligence and trailer park trash. Russell offers solid support and Cher is outstanding as housemate Dolly Pelliker. Their performances give Silkwood its heart as a powerful human drama.

On the DVD: Silkwood is well-served on this DVD release by sharp picture and sound quality (Georges Delerue's poignantly jaunty country and western soundtrack benefits in particular), but the extras are static and add little to the package apart from a strictly "budget" feel: standard biographies of the stars and director with some pretty pointless trivia facts, and a brief history of the production. There's nothing here that even the most generalist of film fans won't already know. A director's commentary explaining why the film loses its bottle in the final reel would be more interesting. --Piers Ford