No revolution has been portrayed on screen more vividly than that in St Petersburg (aka Petrograd) during October 1917, and if what we see in Russia in Revolt is not the truth as it happened, this box set confirms that fiction can be much more potent than fact. Sergei Eisenstein came of age as a director during this period, putting his innovations into practice and redefining history in the process.

Strike (1924) was Eisenstein's first film. Its combination of physical impact and studio experimentation is still impressive, and if the abundance of symbolic images leads to visual overload, the feeling of a "them-against-us" confrontation still packs its punch.

The Battleship Potemkin (1925) refines Eisenstein's thinking in 73 minutes of heightened realism that, as late as 1958, was still considered the finest film ever made. The 1905 Potemkin mutiny, the murder of sailor Vakulinchuk, the massacre on the Odessa steps, the triumphal return of the ship to port--these images made history as surely as if they were the real thing. A scrolling synopsis sets the scene, and extracts from Dmitry Shostakovich's symphonies heighten tension.

October 1917 (1928), also known as "10 Days that Shook the World", charts the period leading from the Czar's abdication, through the months of indecisive Provisional Government to the Bolshevik storming of the Winter Palace. Eisenstein takes montage technique to new limits, as images of individuals and institutions overwhelm the viewer. The scrolling background story details events as they really were, and Shostakovich's music again sets the scene.

Dating from 1927 Esfir Shub's The Fall of the Romanov Dynasty documentary uses archive footage from the Romanov tercentenary in 1913 to the Bolshevik takeover four years on. Here truth really is fashioned into myth. The musical score consists of a medley of Russian favourites, pounded out on an electric piano, making for a rather limited, though not inappropriate, soundtrack. The additional documentary essay is a useful overview, and the on-screen photo collection a valuable bonus.

On the DVD: it's good to have Oleg Donskikh's DVD commentary on The Fall of the Romanov Dynasty disc, as he points out economies with the actualité on a scene-by-scene basis. Yuri Sivrin's continuous commentary is required listening as a guide to the film-maker's art, as well as for shutting out the bizarre electronic score which otherwise serves as backing. All four films have been digitally remastered, and the 4:3 aspect ratio has excellent clarity. Stylishly packaged, there's no better way into the absorbing world of Soviet film than this. ---Richard Whitehouse