Can this one-joke spoof possibly be from the same man who gave us The Producers, Blazing Saddles and Young Frankenstein? Sadly, the answer is yes. Mel Brooks treads water shamelessly with Robin Hood: Men in Tights and the few laughs to be had depend almost entirely on mocking Kevin Costner's earnest blockbuster Robin Hood: Prince of Thieves from two years earlier ("Unlike some other Robin Hoods, I can speak with an English accent", boasts Cary Elwes' Robin). Not only is this far too easy a target for a skit, but the single-film parody concept is stretched way too thin over an entire movie (Brooks elected to repeat the trick with 1995's Dracula: Dead and Loving It). Elwes models his portrayal on Errol Flynn, but only infrequently gets to have fun with the legend: in the climactic sword fight, for example, the shadow play of Flynn and Basil Rathbone's sheriff is affectionately parodied, but such moments are few and far between. Brooks regular Dom DeLuise chips in with a Marlon Brando impersonation, but everyone else is simply taking off characters from the Costner movie: Patrick Stewart even gives us his best Sean Connery impression as a Scottish Richard I. Brooks himself does his stock Jewish act, this time as Rabbi Tuckman; Isaac Hayes has a small cameo in the Morgan Freeman part but seems to think Jerusalem is in Africa; while his on-screen son (David Chappelle) makes the mistake of reminding the audience of what they are missing: "A black sheriff? Why not, it worked in Blazing Saddles". Indeed it did.

On the DVD: Precious few extras here, just a small behind the scenes feature and trailer. But the anamorphic picture looks good. --Mark Walker

Kevin Costner's lousy English accent is a small obstacle in this often exciting version of the Robin Hood fable. That aside, it's refreshing to have a preface to the old story in which we meet the robber hero of Sherwood Forest as a soldier in King Richard's Crusades, coming home to find his people under siege from the cruelties of the Sheriff of Nottingham (Alan Rickman). After Robin and his community of outcasts and fighters take to the trees, director Kevin Reynolds (Fandango, 187) is on more familiar narrative ground, and he goes for the gusto with lots of original action (Robin shoots two arrows simultaneously from his bow in two directions). Mary Elizabeth Mastrantonio, as Marion, makes a convincing damsel in distress and Morgan Freeman brings dignity to his role as Robin's Moor friend. Alan Rickman, however, gets the most attention for his scene-chewing role as the rotten sheriff, an almost campy performance that is highly entertaining but perhaps a little out of sorts with the rest of the film. --Tom Keogh

Robin Hood: Prince of Thieves reinvented the legend for contemporary cinema audiences, and in doing so far outstripped at the box office even Kevin Costner's own infinitely superior Dances with Wolves to become the biggest hit of 1991. It's an entertaining enough family adventure film, but plays like a big-budget TV movie with no distinctive flair for action or romance. (Director Kevin Reynolds would reunite with Costner four years later for the equally stodgy Waterworld). If the accents are all over the place, at least Mary Elizabeth Mastrantonio makes a Maid Marion of ravishing Pre-Raphaelite beauty. Morgan Freeman is fine as Robin's Moorish sidekick, though, other than to expand the demographic, his character has no business being in the story. Realising that the whole enterprise has the credibility of a pantomime, Alan Rickman outrageously camps up his Sheriff of Nottingham, stealing the film in the process. Costner makes an acceptable hero, though he will never replace Errol Flynn in the definitive The Adventures of Robin Hood.

If you can accept explosives in 13th-century England, that the approach to Sherwood Forest is a modern conifer plantation and that the 170 miles from Dover to Nottingham is a matter of a few hours ride via Northumberland, then you may find much to enjoy here. Otherwise an already overlong film has been extended to an excessive 148 minutes in this special edition, making far too much of a not very good thing.

On the DVD: Robin Hood: Prince of Thieves is presented as a two-disc set, with a 1.78:1 anamorphic transfer that is generally good looking but with an occasionally soft picture and some evidence of dirt and minor print damage. The Dolby Digital 5.1 remix of the original stereo soundtrack is atmospheric and powerful and shows off Michael Kamen's score to its best. Though presented with 12 minutes of footage not seen in the cinema version, the film still suffers most of the cuts (amounting to 28 seconds) imposed by the BBFC over the years.

The main extras are a pair of commentaries: Costner and Reynolds discuss the film in frank and enthusiastic detail, while on a second track Freeman, Slater, writer/producer Pen Densham and cowriter/producer John Watson offer a great deal of insight plus a fair bit of stating the obvious, backslapping and critic bashing. Robin Hood: The Myth, the Man, the Movie (31 mins) is a cut version of a 45-minute TV special originally broadcast in America the night before the premiere, and offers an interesting if brief look at the Robin Hood story plus some routine making-of material. Finally, there is a video of Bryan Adams performing "Everything I Do, I Do It for You" live at Slane Castle and 18 minutes worth of bland electronic presskit-style archive interviews with Costner, Freeman, Mastrantonio, Slater and Alan Rickman, plus the original American trailer, a stills gallery and cast and crew list. --Gary S Dalkin

Sensational theme song, excellent cast makes this children adventure an epic. Kevin Kostner brings forth the saviour of the poor to the screen with a panache and charm.