Shinsuke Sato's The Princess Blade is, in some respects, a standard Japanese action adventure with a lot of swordplay and repayment of blood debts; but it differs in that it stretches the formula in interesting ways. Its moody angst is turned up to full power and it has a twilit elegiac quality, a sense of the sadness of things, which is at once very Japanese and very stylish.

Yukio is one of the assassins of the house of Takemikazuchi, a group of exiled royal guards from a neighbouring kingdom who have created a life in the isolated low-tech kingdom Japan has become in some near future. She is in fact the last of the original Takemikazuchi family, who have gradually been marginalised and murdered. Informed of this and on the run from her fellow swordsmen, she takes refuge with, and falls for, Takashi, an assassin of a more modern kind, an alienated young man whose concern for his retarded sister sits uneasily with his bomb-making. The film moves steadily from explosions of passionate action beautifully choreographed to quiet intense moments of stillness, ending ambiguously on the latter. It is a superior film in its genre because it coherently questions the values and actions it celebrates. --Roz Kaveney

A thoroughly engaging fairy tale that's family friendly without being condescending, The Princess Diaries is your basic Cinderella makeover story given a fresh, affectionate twist courtesy of a game, energetic cast and a screenplay that skirts schmaltz in favour of gentle, effective comedy. Mia Thermopolis (Anne Hathaway) is a frizzy-haired, glasses-wearing 15-year-old girl whose two highest ambitions are to become invisible and to get a few smooches from the slickly attractive school heartthrob. As a girl who can't stand being the centre of attention so much that she throws up during debate class, she's stunned and horrified when her coolly continental grandmother(Julie Andrews) shows up and informs her that she's the crown princess of the European principality Genovia. Soon enough, Mia has to undertake "princess lessons" (and a makeover) from her queenly grandmother, and eventually she blossoms into a confident, radiant girl despite the worries and pressure that her newfound status brings. What makes The Princess Diaries work is director Garry Marshall's guileless, irony-free approach to the material (based on Meg Cabot's novel). In comparison to most sarcastic, ultra-hip teen comedies, The Princess Diaries is refreshingly and enjoyably square, content to win you over on charm alone and not a slick bag of tricks. Hathaway is a charismatic, appealing role model with a sharp sense of comic timing, and Andrews--who came to stardom as the object of a makeover supreme in My Fair Lady on Broadway--is at her regal best, whether teaching Mia the proper royal wave or learning how to eat a corndog. Both leading ladies are complemented by a finely tuned cast, including Hector Elizondo as Genovia's head of security (and romantic counterpart to Andrews), Heather Matarazzo as Mia's best pal, and Robert Schwartzman as the good guy who ultimately wins Mia's heart. All in all, this is a royal pleasure. --Mark Englehart, Amazon.com