Actor Griffin Dunne improves a bit on his first film as a director, Addicted to Love, with this drama-comedy about a family of witches. Nicole Kidman and Sandra Bullock play spell-casting sisters of different temperaments: the former is a high-living, free-spirited sort, while Bullock's character is a homebody who can't get around a family curse that kills the men in their lives. A widowed single mom, Bullock gets into a jam with an abusive Bulgarian (Goran Visnjic) and is helped out by her sibling, but the result brings a good-looking, warm, inquisitive cop (Aidan Quinn) into their lives. The film has a variety of tonal changes--cute, scary, glum--that Dunne can't always effectively juggle. But the female-centric, celebratory nature of the film (the fantasies, the sharing, the witchy bonds) is infectious, and supporting roles by Dianne Wiest and Stockard Channing as Kidman and Bullock's magical aunts are a lot of fun. --Tom Keogh

A reindeer doesn't have to fly to be magical to someone, and Prancer proves the point in an unassuming and plainspoken way. This 1989 family film stars Rebecca Harrell as nine-year-old Jessica, a motherless schoolgirl raised (and largely ignored) by her bereaved and embittered father (Sam Elliot), an apple farmer. While Jessica's dad struggles to keep food on the family table, the little heroine worries over the fate of a wounded reindeer she meets and wistfully identifies as a member of Santa's sled crew. The story may sound overly precious, but the film is grittier and more realistic than that. Far more concerned with wobbly family relationships than gilded escapism, Prancer is a rare family film that can entertain without invoking fluffy enchantment. It was followed 12 years later by a sequel, Prancer Returns. --Tom Keogh

Although it was only made in 1987, Predator is already the kind of film that has action fans sighing, "They don't make 'em like that any more". Few later films can equal its testosterone-fuelled scenario, its graphic violence or its genuinely unnerving sense of danger. An alien big-game hunter comes to Earth to hunt the meanest, most dangerous creatures on the planet. Naturally, Arnold Schwarzenegger and his astonishingly muscle-bound team of marines are prime targets. The premise has a compelling Zen-like simplicity and the correspondingly minimalist script consists, for the most part, of the statuesque soldiers snarling one-liners at each other ("I ain't got time to bleed", "If it bleeds we can kill it") in between firing unfeasibly large weapons.

Director John McTiernan emphasises the claustrophobic confines of the jungle setting, allowing tension to build for the film's first two thirds by keeping the titular hunter concealed from both its prey and the audience. Composer Alan Silvestri's nerve-jangling percussive score racks up the tension yet further. When the creature does show its handiwork the results are horrifically gory, and, thanks to the film's insistently realistic tone, all the more terrifying. By the final act, a memorably mud-caked Arnie must discard all his high-tech weaponry and fight hand-to-hand against creature effects wizard Stan Winston's classic monster; McTiernan's action choreography ensures that the outcome of this hard-fought duel is never a foregone conclusion.

On the DVD: Predator at last gets the DVD release it deserves. Its previous incarnations used the bowdlerised TV edit; but this two-disc set restores the full theatrical cut, with skinned corpses aplenty and Carl Weathers' lopped-off arm among other messy delights. Not only that, but the sound options are now ultra-vivid Dolby 5.1 or DTS 5.1, though the anamorphic picture is still grainy in some of the darker scenes. John McTiernan provides a decent director's commentary, but much more fascinating information can be had from a text commentary option.

On the generously filled second disc there are seven short behind-the-scenes featurettes (including one dedicated to "Old Painless" the Gatling gun) plus a retrospective documentary, "If It Bleeds We Can Kill It", which includes both old and new interviews with many of the cast and crew. There are also outtakes and a deleted scene, special effects segments, camouflage tests and a text profile of the creature and its weaponry, plus a photo gallery. --Mark Walker