Created by and starring Bolton-born comic Peter Kay, Phoenix Nights is one of those rare gems that few saw on first showing but that everyone was soon talking about. The first series introduces wheelchair-bound Brian Potter (Kay), who runs the titular Phoenix, a shabby social club populated by an assortment of wonderfully observed characters. It's grim up North and despite the best efforts of the staff to inject life into the proceedings--be it an alternative comedy night, a version of Robot Wars in Potter's beloved Pennine Suite or a Wild West extravaganza--each evening's entertainment always ends badly. Undaunted, the Phoenix denizens continue to strive for their dream: a world in which "clubland never dies".

The beginning of the second series sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. --Kristen Bowditch

The beginning of the second series of Phoenix Nights sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh.

This second instalment of Peter Kay's cult sit-com is more upbeat than the first, with some genuine success coming to the characters and club, but it still has its hilariously subversive undertones: a botched hit job; an inflatable castle with an extra appendage; and Brian stuck on his stair lift for a day after a power cut, to take just three examples. The script remains brilliantly surreal and incredibly funny. All the favourite characters remain, with club bouncers Paddy and Max featuring in a couple of the meatier storylines (perhaps setting them up for their own spin-off series?) and Jerry continuing to wow the crowds with his original vocal stylings, the highlight being the grand Stars in Their Eyes final in which he offers his own unique clubland take on Eminem. It's brilliantly original stuff: roll on Series 3. --Kristen Bowditch

Cocky publicist Stu (Farrell) finds himself at the mercy of a mad man with a sniper rifle. Added to his bad day, is that he's imprisoned in a phone booth (you says the title, you wins the prize) until all the sniper's demands have been fulfilled.