This attempt to reunite the stars of White Men Can't Jump will most likely be remembered as the movie that allegedly inspired a number of copycat arsons in the New York subway system. In other words, the movie itself is too perfunctory to be remembered for any other reason. Woody Harrelson and Wesley Snipes share their established chemistry as a pair of stepbrothers who work the subway detail as undercover detectives in the NYPD. Woody's a compulsive gambler with a huge debt problem to contend with, and he's also competing with his brother for the attentions of their new and beautiful partner (Jennifer Lopez), who's been assigned to join their investigation of the subway crimes. They're also supposed to guard the daily money train (so named because it contains each day's worth of subway fares), but Woody gets the bright idea that it might be the solution to his money woes. What follows is standard-issue action fare for the mid-1990s--lots of violence, excessive profanity, and attempts at witty banter between the co-stars to make it all seem more entertaining than it really is. You'd need to be a serious Harrelson, Snipes, or Lopez fan to add this movie to your collection. For anyone else, one viewing ought to be enough. --Jeff Shannon

Monkey Trouble is a movie only a kid could love, which was the whole point. Harvey Keitel plays a small-time thief who performs as an organ grinder on the boardwalk at Venice Beach. His scam involves his monkey, which has been trained to pick pockets. Now a mob boss wants to borrow the monkey to pull off some big scores--but the monkey runs away and is adopted by a lonely little girl (Thora Birch). She finds herself in increasingly hot water when her new pet starts bringing her the valuables of everyone in the neighbourhood. Birch is a natural young actress, while Keitel hams it up shamelessly (he reportedly made the film to amuse his young daughter). --Marshall Fine

Monkey! is a loose (very loose) Japanese TV adaptation of Wu Ch'eng-en's 16th-century collection of Chinese fables, which was re-dubbed into English in the early 1980s and became required viewing for a whole generation of schoolchildren. The titular monkey (played with great enthusiasm, not to mention athleticism by Japanese comic actor and former rock star Masaaki Sakai) accompanies boy-monk Tripitaka (confusingly, a pretty actress called Masako Natsume) on his/her quest for the Indian Sutras. They pick up Sandy (Shiro Kishibe), Pigsy (Toshiyuki Nishida) and a dragon that becomes a horse along the way.

The appeal of Monkey! is easier to experience than explain. It's an occasionally surreal blend of Oriental fable, knock-about martial arts, pop Buddhism and slapstick comedy. The frequent comic fight scenes are accompanied by a 70s disco-fusion soundtrack, and a narrator (English voice: Frank Duncan) uses gaps in the action to deliver inscrutable snippets of wisdom ("Even a starving camel is still bigger than a horse", "Does love mean labour even for the carp-hearted?"). Best of all, though, is the dialogue: without regard to any lip-synch niceties, the English script (by David Weir) is full of idiomatic delights, jokes and double entendres ("I can use it as well", boasts Monkey of his staff that grows from a tiny stick into a big pole. "Ooh, I never doubted it, passionate primate", purrs the Dragon Princess into his ear, "go on, make it bigger"). All are delivered by British actors in hilariously cod-Japanese accents (distinguished thesp Miriam Margolyes is the voice of Tripitaka). Bad special effects crown the show's cheesy, retro appeal. ----Mark Walker