Mission: Impossible was one of the best action blockbusters of the 1990s, deriving a quality unique among its peers from the tension between Brian De Palma's directorial stylisation and the overriding presence of its star and producer, Tom Cruise. The original 1960s television series provides not only the wonderful musical motif, but also the layered complexity of false realities and masked identities, which are revealed with the playful conjuring of a Russian doll. De Palma's trademark set pieces include a giant exploding fishtank in Prague, a helicopter chase through the Channel Tunnel, and, most notably, a break-in to steal a vital disc from CIA headquarters in Langley. The moment in the latter when, in almost complete silence, Cruise dangles precariously from a cable is as sublimely exhilarating as any in American movies of recent years. --Steve Napleton

Visually stunning, and a likely must for John Woo aficionados, the second Mission: Impossible outing from megastar Tom Cruise suffers from an inconsistent tone and tired plot devices--not only recycled from other films, but also repeated throughout the film. Despite remarkable cinematography and awe-inspiring, trademark Woo photography, the movie offers a tepid story from legendary screenwriter-director Robert Towne (Chinatown) and a host of other writers, most uncredited. Woo's famed mythic film-making is far from subtle, with heroic Hunt frequently slow-motion walking through fire, smoke or other similar devices, replete with a white dove among pigeons to signal his presence. The emphasis on romance is an attempt to develop character and a more human side to superspy Hunt, but still the story proves a distraction from the exciting action sequences. --NF Mendoza, Amazon.com

Adult erotica.

The third outing for Ethan Hunt and his comrades at IMF - their duty? To stop international bad guys. Based on the classic tv series, and filmed as a hollywood take on James Bond, the third will deliver the usual stunts, locations and wild plots that we now come to expect from this great franchise.

Gene Hackman and Willem Dafoe star in Mississippi Burning, a well-intentioned and largely successful civil-rights-era thriller. Using the real-life 1964 disappearance of three civil rights workers as its inspiration, the film tells the story of two FBI men (Hackman and Dafoe, entertainingly called "Hoover Boys" by the locals) who come in to try to solve the crime. Hackman is a former small-town Mississippi sheriff himself, while Dafoe is a by-the-numbers young hotshot. (Yes, there is some tension between the two.) The movie has an interesting fatalism, as all the FBI's best efforts simply incite more and more violence--the film's message, perhaps inadvertently, seems to be that vigilantism is the only real way to get things done. The brilliant Frances McDormand, here early in her career, is not given enough to do but still does it well enough to have racked up an Oscar nomination for Best Supporting Actress. (Hackman also received a nomination for Best Actor, and the film won an Academy Award for Cinematography). Mississippi Burning is ultimately unsatisfying--it is, after all, the story of white men coming in to rescue poor blacks--but it is beautifully shot and very watchable, featuring a terrific cast playing at the top of their games. --Ali Davis, Amazon.com

An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes...