This first sequel to Dirty Harry was written by a couple of strong voices, writer-directors Michael Cimino (The Deer Hunter) and John Milius (Farewell to the King). But that doesn't mean the film is particularly good. After Don Siegel's ferociously dark style in the first movie, Ted Post's blocky, television-ish direction in Magnum Force is a huge letdown. The story doesn't win any prizes, either. Eastwood's San Francisco detective Harry Callahan (apparently having retrieved his badge after throwing it away at the end of Dirty Harry) takes on a vigilante squad within the city's police force. David Soul is pretty convincing as the major spokesman for these right-wing avengers. Eastwood, on the other hand, had already turned Callahan from fascinating outsider in Siegel's film to purveyor of tough-guy shtick in this one. --Tom Keogh

In the breezy Maid in Manhattan, a maid in a top-flight hotel (Jennifer Lopez) chances to dress in a guest's clothes just when a handsome political candidate (Ralph Fiennes) walks in. Naturally, he's bowled over and pursues her; he's initially drawn to her gorgeous good looks but soon comes to appreciate her honesty and common sense. Of course, she can't let him know that she's only a maid, and various high jinks ensue--it's all pretty formulaic, but lurking in the edges of this glossy, brainless romance are a wealth of sly turns by Natasha Richardson and Amy Sedaris (as callow socialites), Bob Hoskins (as a dignified butler), Stanley Tucci (as Fiennes' exasperated campaign manager), and many less familiar faces. All help to give Maid in Manhattan the life and texture that has been processed out of the main characters. --Bret Fetzer