Like It Is is much like watching a train wreck--the very idea of it is repellent and yet you perversely can't avert your eyes. While its urban grittiness and sooty veneer entranced some critics who mistook its violent, netherworld neorealism for art, Like It Is offers little in the way of redemption, positive gay imaging or even particularly good narrative. Paul Oremland directed this venture about a young, gay Blackpool tough named Craig (Steve Bell) who bare-knuckle boxes for money. He ultimately moves to London in search of a better life and falls in with the trendy London gay-club scene, meeting and falling for a handsome record producer named Matt (Ian Rose) and his wealthy boss (played by the Who's lead singer Roger Daltrey). The better life is quickly tainted by disillusion and misery, much as is the viewing experience. Steve Bell is, in real life, a featherweight boxing champion in Britain and therefore brings an urgent and raw vitality to the lead, but the characters as a whole are either irritating or unsympathetic, and it's ultimately difficult to find anyone to care for, or a story worth empathising with. --Paula Nechak, Amazon.com

A modern-day fairy tale with a distinctly American feel, Like Mike is an engaging mixture of the old and the new that will play well with younger teenagers. At first sight this is a very modern piece of work and one aimed squarely at the US market, with its lead the teenage rap sensation Lil Bow Wow and the role of the NBA in the making of the film leading to the appearance of several basketball stars who will mean little beyond American shores. Many of the story's elements, however--from its orphanage setting to the fantasy elements and the triumph of the kids over the evil adults--are straight from the classic school of children's filmmaking.

Rap stars moving into acting is nothing new, but Bow Wow would seem to have the makings of a real talent, even if he is largely playing himself here. Amidst the bright and breezy brashness of the story there are also touching moments, particularly the growing relationship between Bow Wow's Calvin and Morris Chestnut's grumpy Tracy and the desperation of the orphans to find a home, all handled well by director John Schultz. Like Mike could well have been inaccessible to audiences outside the US, but ended up as a universal tale of the underdog having his day.

On the DVD: Like Mike puts the success of the movie in America firmly in context, giving some idea of just what a big deal Lil Bow Wow is in his own country. There are two behind-the-scenes documentaries, one a fairly standard series of talking heads interviews, the other a rough and ready and ultimately more revealing piece from the film's acting coach, complemented by Schultz's audio commentary. The director's aim to combine sports, music and cinema is well supported by the film's bold audio and visual style--also featured in the promo video for the title track, proof that Bow Wow is a natural a rapper as he is an actor. --Phil Udell

A look at the naval campaigns fought by the British, German, American, Japanese and Italian fleets during World War II.