The "widow" referred to in the title of La Veuve de Saint-Pierre isn't a woman, but a mechanism--to be exact, the guillotine, (though the title does take on a second meaning in the tragic final moments of the film). We're on the island of Saint-Pierre, a tiny forgotten French colony off the coast of Newfoundland, midway through the 19th century. A senseless drunken murder is committed and the killer is condemned to death, but zut alors!, there's no guillotine on the island. So one must be requested from the slow, bureaucratic authorities in Paris and, once approved, laboriously shipped over. Meanwhile the killer, a simple-minded giant of a man, is placed in the custody of the Captain, whose beautiful wife starts taking an interest in the prisoner.

Director Patrice Leconte has always had an acute feel for place and period--he directed the mordantly witty costume drama Ridicule--and La Veuve vividly captures the sense of remoteness and resentful isolation of this blizzard-swept community. The brooding landscape, all slate-blues and greys, is beautifully framed by Eduardo Serra's camera, and Leconte draws affecting performances from his central trio of actors: Daniel Auteuil, with his intriguingly lopsided face, as the Captain; Juliette Binoche, radiantly vulnerable as his wife; and, in an unexpected but remarkably successful bit of casting, Serbian film director Emir Kusturica as the condemned man. La Veuve de Saint-Pierre may be a touch over-solemn at times, and its message is hardly unexpected; but it's an intelligent, engrossing and richly atmospheric piece of filmmaking. --Philip Kemp

There are only two human actors in Jim Henson's Labyrinth: a teenage Jennifer Connelly and glam-rocker David Bowie (who performs five of his songs). The rest of the cast are puppets, a wonderful array of Henson's imaginative masterpieces set within a film combining the highest standards of art, costume and set decoration. Henson gives credit to children's author and illustrator Maurice Sendak, and the creatures in the movie will remind Sendak fans of his drawings, while the castle of the Goblin King (Bowie) is a living MC Escher set that adults will enjoy. Like executive producer George Lucas's other fantasies, Labyrinth mixes adventure with lessons about growing up. --Lloyd Chesley

A young girl must solve a giant labyrinth to rescue her baby brother from the Goblin King.