Despite all the pot-smoking in Idle Hands, the message here seems to be that too many bong hits will take you on a one-way trip to the devil's playground. That's what happens to Anton (Devon Sawa), a wasted teen who's so perpetually zonked on weed that he doesn't notice his parents have been slaughtered by an evil force that then possesses Anton's right hand, taking on a wildly homicidal life of its own after Anton chops it off with a butcher knife. The first victims are Anton's pals Mick (teen-movie stalwart Seth Green), who gets a beer bottle embedded in his skull, and Pnub (Elden Henson), whose head is lopped off by a rotary saw blade, and later reattached with a barbecue fork and duct tape. (Did we mention that Mick and Pnub turn into undead jokesters? It's that kind of movie.) This unoriginal idea is little more than an excuse for gross-out effects and easy one-liners, and then Vivica A. Fox appears as the demon-buster who knows how to kill the hand once and for all. It's fun to a point, and certain to be a popular Halloween hit with its intended teenage audience, but you can't help wishing this movie had tried harder to be something more than a collection of crude and gory gags. --Jeff Shannon, Amazon.com

Regardless of your opinion on the topic, If These Walls Could Talk is a bold and provocative examination of how the laws and attitudes about abortion in the United States have both changed drastically and remained so much the same. Three women, three time periods, one house: each finds herself in trouble and must face the overwhelming decision about what to do with the unwanted pregnancy.

The first segment is the most powerful, featuring Demi Moore as a young, recently widowed nurse in 1952. With no-one to turn to and with limited financial means, her options are few. Catherine Keener costars as her harshly judgmental sister-in-law. The next piece occurs in 1974 as Sissy Spacek, a mother of four trying to earn a college degree, discovers she's pregnant with her fifth child. Her utterly modern feminist daughter encourages Spacek to get a newly legal abortion, but it's a complex decision. In the final segment, college student Anne Heche becomes pregnant by her married professor. Her best friend, played by Jada Pinkett, is resolutely against abortion and the two wrangle over right and wrong. As the young woman tries to learn about her options, she finds herself enmeshed in the pro-life demonstrations outside the abortion clinic. Cher, who directs this segment (the other two are directed by Nancy Savoca), costars as a doctor at the clinic.

While trying to be even-handed and demonstrating the different choices different women make, the film does have a decidedly pro-choice leaning. Yet the power of the movie is undeniable and it raises significant questions on both sides of the abortion debate, making it an important film for women (and men) everywhere to watch and talk about. --Jenny Brown