In 1944, Ingrid Bergman took home a Best Actress Oscar for her work as the neurotic, persecuted wife in Gaslight, a thundering melodrama based on the play by Patrick Hamilton. At the heart of the piece is a splendidly cruel scenario as a husband (Charles Boyer) subtly drives his wife out of her mind in a house suffocating with Victorian clutter. But MGM production gloss and George Cukor's broad strokes direction make this a less affecting, suspenseful effort than the 1939 British film version with Anton Walbrook and Diana Wynyard. Bergman has a succession of big, impressive mad scenes that show off her acting muscles--and is given the full Hollywood glamour lighting and costuming to highlight her personal beauty--while Boyer comes alive as he salivates over the missing jewels. The best work comes from a teenage Angela Lansbury (in her screen debut) as an impudent, sexy-sinister maidservant, undermining her mistress at every turn and pouting to perfection.

On the DVD: Gaslight on disc includes a trailer, a newsreel snippet of Bergman getting her Oscar and a nice featurette with Pia Lindstrom (Bergman's daughter) and Lansbury talking about the film. --Kim Newman

The Gathering Storm is a fictionalised portrayal of Winston Churchill and his wife Clementine during their wilderness years of the 1930s. It deservedly won numerous awards, including an Emmy, BAFTA and Golden Globe in recognition of Albert Finney's wonderful central performance. Equally deserving were those for all aspects of the production design: period wardrobe, set dressing and use of location are equally impressive, apparently ensuring that this production has everything going for it in its depiction of pre-War Britain. The snag is that its restriction to TV movie format, a mere 90 minutes, excludes a lot of historical context that ought not to have been left out.

Seeing Churchill's adoration of his wife (Vanessa Redgrave) or the family woes troubling Ralph Wigram (Linus Roache) is all very emotionally dramatic, but it uses precious screen time that might have been better devoted to highlighting the political situation abroad, or indeed the monarchy's situation at home. The enterprise smacks a little too much of sentimental contrivance, lionising Churchill in rose-tinted retrospect. True, some attempt is made to acknowledge the personality traits that excluded him both from office and popularity prior to Germany's re-building, but like so much else pertinent to the machinations of anticipating the war, these are glossed over for familial feel-goodery and button-pushing poignancy. This is a film that's easy to admire, but ought not to be mistaken for well-rounded history.

On the DVD: The Gathering Storm doesn't look or sound quite as crisp and clear as you'd hope for a recent TV-movie transfer. That's down to some obvious grain in the picture, and the 2.0 surround audio that tends to lose quieter dialogue moments. There are extensive cast and crew biographies that will no doubt help international viewers place the naggingly familiar British faces. There's also the accumulatively enthusiastic commentary from director Richard Loncraine and producer Frank Doelger, which happily points many of them out. --Paul Tonks

Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognised as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity.--Jeff Shannon