Fiddler on the Roof arrived in cinemas in 1971, seven years after the Sheldon Harnick/Jerry Bock musical about Jewish life in a pre-Revolution Russian village first gripped Broadway. Based on the stories of Shalom Aleichem, with its potent mixture of sentiment and religious and historical context, it remains one of the most popular shows of the modern age. With the help of an outstanding performance from Topol as Tevye--the milkman with five daughters kicking at the constraints of tradition--Norman Jewison's captivating film retains a moving intimacy in its portrayal of relationships in changing times.

But it also stretches the possibilities of location shooting--in this case the countryside of the former Yugoslavia--further than any musical movie before or since. The villagers are played by the inhabitants of the area, lending a poignant realism to the vibrant crowd scenes. And the cinematography is spectacular, with Jewison's clever use of distance generating an epic feel that helps to explain the story's continuing resonance and popularity.

Topol's career-defining star turn is balanced by the warmth and sensitivity of the surrounding performances, particularly Norma Crane as his abrasive wife Golda. British sitcom fans will spot early appearances by Roger Lloyd Pack, and Ruth Madoc as the demonic butcher's wife, Fruma Sarah. At nearly three hours, it's a long emotional haul, but aided by some of the most beautiful songs in musical history, Jewison's Fiddler is ageless.

On the DVD: Fiddler on the Roof Special Edition is presented on DVD in widescreen with a Dolby soundtrack that makes a mighty meal of John Williams' Oscar-winning musical adaptation. The most fascinating extras are a making-of documentary that shows a youthful, slightly tetchy Jewison at work, and a 2003 reminiscence in which all of his passion and feel for the piece has survived intact. He shares a commentary with Topol crammed with vivid memories and context. There is also a photographic gallery showing the resources that were used to give the film its authenticity, and Jewison reads extracts from original Aleichem stories. --Piers Ford

Set in the Russia that was ruled by the oppressive and ruthless Csars this classic traces the story of a milkman who decides to fight the might of the Monarch for his love.

Based on Sholem Aleichem's stories of Tevye who, together with his daughters lives in a humble village. Tevye attempts to preserve the Jewish heritage against all odds.

Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter.

The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is.

On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman

In an attempt to catch lightning in a bottle, John Cleese wrote Fierce Creatures with the purpose of reuniting the comedic cast of A Fish Called Wanda. Media mogul (Kevin Kline) owns a London zoo. He demands that the park raise more profit, so the new zoo director (Cleese) orders that only dangerous animals be displayed in order to maximize ticket sales. In a dual role, Kline also plays the mogul's son, who plans to run the zoo with the help of displaced employees (including Michael Palin) and zoo programmer Willa Weston (Jamie Lee Curtis). The situation lends itself to comedic confusion and split-second timing, and for a few good laughs the film is a pretty safe bet. It's not as hilarious as A Fish Called Wanda (that's a pretty tall order), but Cleese knows comedy, and his efforts are worth a look. --Jeff Shannon, Amazon.com