An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds in Dolby Digital 5.1) like every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.

In this second box set there are five episodes spread across two discs. Although the generic Star Trek-style storylines seem a little over-familiar, the witty and fast-paced scripts help to keep things fresh. In "Exodus from Genesis" the crew of Moya are invaded by space cockroaches, who, in a suprising twist then help them fend off the Peacekeepers. "Thank God it's Friday Again" shows D'Argo finding happiness in a hippy commune where all is not what it seems; Crichton has a Matrix-style worm inserted in his navel before Rygel's bodily functions prove to be instrumental in rescuing the crew. Crichton finds love with the "PK Tech Girl", much to the consternation of Aeryn Sun, who goes into full Lt. Ripley mode and spends the episode running around with a pulse rifle under flickering strobe lighting. In "That Old Black Magic", a malevolent magician forces a confrontation between Crichton and his nemesis, Crais; Zhaan must revive her bad old ways in order to save the day. "DNA Mad Scientist" is the most original episode, with a neat twist on the Frankenstein scenario thanks to the splendid villain, Namtar; a distinctly unpleasant side to some of the characters is revealed as they bargain body parts in exchange for a map home.

On the DVD: Because the first disc contains three episodes instead of the usual two, special features are limited to a trailer and some conceptual art. The second disc also has a profile of Zhaan. --Mark Walker

An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas such as the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds-in Dolby Digital 5.1) as if every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.

There are five more episodes from Season One on this third DVD box set. "They've Got a Secret" has D'Argo being accidentally ejected into space, as a result of which, secrets of his imprisonment are revealed. "Till the Blood Runs Clear" finds Crichton and Aeryn confronting bounty-hunters. In "The Flax", the crew get all tangled up with some Zenetan pirates. Blue-skinned Delvian priestess Zhaan meets more of her kind in "Rhapsody in Blue", but madness is the result. Finally, "Jeremiah Crichton" finds our human hero stranded on an earthly paradise where no machines will function; falling in love is just the beginning of his troubles.

On the DVD: Special features here are a gallery of conceptual art and another star profile, this time of Anthony Simcoe's Luxan warrior character, D'Argo. --Mark Walker

An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) as if every penny made it to the screen. In true Buck Rogers style, Ben Browder plays leading man John Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up.

Box Set 4 includes four episodes, another gallery of conceptual art, and video profiles of everyone's favourite Hynerian Dominar, Rygel, as well as a profile of Moya the living Leviathan transport ship and her pilot. The episodes are: "Durka Returns", in which the crew meet the beautiful Chiana for the first time, as well as Rygel's old tormentor, Captain Durka; "A Human Reaction", where Crichton finally gets back to Earth but with unfortunate results for the rest of Moya's crew; "Through the Looking Glass" in which the crew and Moya are thrown into a dimensional schism inhabited by a strange creature; and "A Bug's Life", in which an intelligent virus is released on the ship after an encounter with Peacekeepers. --Mark Walker

Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and film in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format.

Box Set 5: these four episodes lead up to the climax of the show's first season. "Nerve" and "The Hidden Memory" make for a bold two-parter in which Crichton is reunited with his Peacekeeper Tech girlfriend, Gilina, and emotions are strained as he infiltrates a Peacekeeper base to find a cure for Aeryn's wound. But the story's most important function is to introduce the dreaded Scorpius, who uses his Aurora chair torture device to extract what he mistakenly believes is vital knowledge from Crichton. Scorpius, it soon becomes clear, is just not going to go away. In "Bone to be Wild" the crew is still on the run from the vengeful Scorpius and take refuge on a strange vegetation-covered asteroid where there's a deadly role-reversal of the beauty and the beast story taking place. Finally in "Family Ties" the season ends on a tense cliffhanger as Rygel plots with Scorpius, Crais intervenes unexpectedly, Moya's child turns out to be something of a handful, and Crichton and D'Argo must take a desperate gamble. Also on the disc is an interview with costume designer Terry Ryan and a profile of the Australian Creature Shop. --Mark Walker

The last and ultimate in the series of a journey through unexplored regions to fight the final threat to universe by Jon Crichton and his rejoined friends.

With the third season well under way by now it's clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions.

All the principal actors know their characters inside and out by now, and delight in showing off their many weaknesses and flaws. Refreshingly, the crew of Moya are a squabbling, bickering, selfish bunch most of the time, who somehow and against expectations manage to pull together (just) at the crucial moment. The writing has matured, too, remaining as witty as ever but equally unafraid to push both genre and censorship boundaries as villains bloodily torture their victims (usually Crichton) and the main characters become more and more obsessed about their sex lives (or lack thereof). Farscape is a galaxy far, far away from the clean, cosy world of Star Trek.--Mark Walker