In the episodes contained in this third volume, Farscape's fourth series finally kicks into gear and does some of the most surprising things a television show has ever done. The first three episodes are all Farscape classics, which take our expectations and jump up and down on them. "Unrealised Realities" takes John Crichton (Ben Browder) through a wormhole to be interrogated by a creature who regards the Ancients who put the knowledge of wormhole technology in his brain as annoying bumblers and who tells him a lot about time and about alternate universes. This gives the cast a chance to play each other again--Claudia Black's performance as Chiana is particularly disorientating. In "Kansas" John finds himself finally back on Earth, during his own adolescence, with the task of ensuring that his father does not die in the Challenger explosion and alter his personal history. The visit to his long-missed home continues in "Terra Firma" where the crew of Moya have to cope with Bush's America and John discovers the hard way--politics, family, old girlfriends, alien assassins--that you cannot go home again. Lastly in the moderately weaker "Twice Shy", Chiana (Gigi Edgeley) and the others learn that no good deed goes unpunished as a slave they rescue turns out to be one of the more deadly individual menaces they have ever faced. --Roz Kaveney

The fourth volume of Farscape's fourth (and final) series does all those things that the later stages of any season should do: individual episodes play interesting games with how we think television works, while the tension of the overall story arc builds and builds. Of the individual episodes here, "Mental as Anything" is an ensemble piece for the male members of Moya's crew: D'Argo's back-story gets some sort of resolution and Scorpius puts John Crichton through hell for the best of reasons. "Bringing Home the Beacon" is rather more fun-- the women of Moya frustrate a Sebacean/Scarren peace treaty--but ends in stark tragedy. In "Constellation of Doubt", Moya picks up, and the crew obsessionally watch, a documentary from American television about their recent visit to earth: Crichton gets to see human paranoia and wishful thinking through cold, intelligent alien eyes. Finally, in "Prayer", Aeryn suffers terribly at the hands of her Scarren captors and Crichton makes a devil's bargain with Scorpius to save her. By this point the season is building to the surprises of its last episodes: Farscape was about to be cancelled, but it never lost its edge.

On the DVDs: Farscape, Series 4 Vol. 4 includes a dictionary of alien slang and technical terms with illustrative clips from the show, as well as text files on the villainous Peacekeepers Braca and Grayza. The high point of the extras, though, is an interview with the wonderfully flakey Gigi Edgeley (Chiana) and a lot of deleted scenes from "Constellation of Doubt", with footage of Chiana, Aeryn and Noranti interacting with Crichton's family in bizarre and touching ways. --Roz Kaveney

This last ever sequence of Farscape episodes is as effective and powerful a climax as those of earlier seasons. The three-parter "We're So Screwed" (a title censored by the BBC in the UK) starts with "Fetal Attraction", in which the crew of Moya attempt to rescue the pregnant Aeryn Sun from her Scarren captors and end up starting a dangerous epidemic on a space station. They get Aeryn back and lose Scorpius; in "Hot to Katratzi", the necessity of saving his worst enemy--who just knows too much to be left a captive--forces John Crichton to gate-crash the Sebacean-Scarren peace conference and bluff his way to success. Seemingly betrayed by Scorpius, John snatches victory in "La Bomba", striking another deadly blow against the Scarren empire. The title of the last episode "Bad Timing" refers both to the show's cancellation--the cast and crew felt real bitterness towards the SciFi Channel over this--and to the cliff-hanger ending; the crew of Moya have to prevent a Scarren ship finding its way through the worm-hole to Earth. Farscape was perhaps the best ever television space opera and certainly the most sexy, stylish, funny and dramatic; it will be greatly missed.

On the DVD: Farscape, Series 4 Part 5 presents the shows in 16:9 format with impressively loud Dolby Digital 5.1 sound. The special features include a documentary about the cancellation of Farscape, in which the cast talk about their shock and grief and fans talk about the "Save Farscape" campaign. There are a couple of extended versions of scenes from these episodes and an extensive blooper reel, much of it hilarious. Also included is an illustrated glossary of terms from the Uncharted Territories and a collection of interesting facts about these last four episodes. --Roz Kaveney

Story of Crichton who struggles to deal with life after Scorpius' neural chip has been removed & Pining for Aeryn and unable to speak, & leaves the crew of Moya.

The second series of Farscape expands upon and develops the characters introduced in the ambitious first series. John Crichton's new nemesis is the deadly Scorpius, replacing Crais, who has taken the living ship Moya's offspring on a voyage into the unknown. Moya's regular crew--Aeryn, Zhaan, Chiana, D'Argo and Rygel--remain as divided and suspicious of each other as ever, yet somehow manage to pull together at times of crisis. The writers continue to exploit the show's gift for surprising as well as emotionally convincing character development, while the CGI effects, prosthetics and state-of-the-art puppetry--courtesy of Jim Henson's Creature Shop--continue to make Farscape the most original-looking SF show on TV. The witty scripts, peppered with postmodern pop-culture references and movie in-jokes, are also a breath of fresh air. Despite some wildly erratic shifts in tone, this is exceptional TV science fiction that continually pushes the accepted boundaries of the genre. --Mark Walker

An international co-production of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, Farscape takes a visual leap beyond previous shows. Admittedly, the basic premise may be borrowed from Buck Rogers (American astronaut catapulted to far-flung galaxy populated by strange aliens), while the crew have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script never takes itself too seriously (fart jokes and double-entendres pop up when you least expect them). It must have been expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen.

In this handsome box set, two discs contain the first four episodes of the first season, completely uncut. In "Premiere", astronaut John Crichton is inadvertently catapulted into a parallel universe where he is taken on board the bio-mechanical ship Moya and meets the inhabitants: D'Argo, a seven-foot-tall Luxan warrior, Zhaan, a blue-skinned Delvian priestess, and the diminutive slug-like Rygel, the Henson Creature Shop's proudest creation. Another humanoid (and potential love interest), formidable-yet-sexy Peacekeeper Aeryn Sun, joins soon after. In true Buck Rogers style, Ben Browder plays Crichton as an all-American astronaut, although with a more believable sense of bewilderment; the supporting cast is a mixture of Australian and British actors, mostly disguised under heavy make-up. In episode 2, "Throne for a Loss", Rygel's devious side is developed further as he gets the crew into trouble when he "borrows" a crystal crucial to the operation of the ship and is kidnapped by some unpleasant characters. Disc Two opens with the wittily titled "Back and Back and Back to the Future", the obligatory time-travel episode, followed by "I, E.T.", in which Crichton feels the force of his earlier comment: "Boy did Spielberg get it wrong. Close Encounters, my ass."

On the DVD: Disc One includes a "making of" documentary, with comments from the cast, Brian Henson and producer Rockne S. O'Bannon (the man also responsible for Alien Nation and SeaQuest), plus a profile of principal character John Crichton. Disc Two profiles Aeryn Sun and has the original trailer and DVD-ROM extras (screensaver and weblinks). --Mark Walker