Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb, to give it its full title, is a perfect spoof of political and military insanity, beginning when General Jack D Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids", mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad scientist Dr Strangelove; George C Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses". With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon, Amazon.com

The contrary streak in Robert Altman's work is particularly evident in Dr T & the Women, which casts Richard Gere as a smooth, upper-crust Dallas gynaecologist surrounded by dotty women. Surprisingly Gere does not play the sensitive seducer but a genuine admirer of women who is nevertheless progressively bewildered by the sheer number of neurotic females within his life. Dr Sullivan Travis (Gere) tries to cope with a wife (Farrah Fawcett) who reverts to childhood thanks to a rare psychological syndrome brought on by being loved and cared for too much, a sister-in-law (Laura Dern) who tipples and talks constantly as she tries to run the household, one daughter (Kate Hudson) who is about to have an elaborate wedding even though she is actually in love with a college friend (Liv Tyler) and another daughter (Tara Reid) who works in the local assassination conspiracy tourist industry, not to mention a nurse (Shelley Long) who is blindly in love with him and a deceptively sensible golf pro (Helen Hunt) who isn't. Unlike Gosford Park, this isn't major Altman--it draws a little too much on some of his earlier hits and sometimes twitters too close to low comedy--but it has many of his unique virtues: a sort of cynical warmth in entering an enclosed, oddball world (here, a side of Texas rarely seen on screen) and an uncanny ability to draw the best out of an apparently randomly assembled ensemble cast.

On the DVD: A flawless 1:2.35 letterboxed print, enhanced for 16x9. Otherwise, it's a very nice package. A commentary track assembles thoughts from Altman, screenwriter Anne Rapp and a large amount of the cast, all offering insight into the unusual way that Altman puts a film together and often throwing in surprising bits of information (that Farrah Fawcett was offered Basic Instinct but turned it down because of the nudity, though she has a tasteful clothes-off scene here). Also, a standard making-of short with more soundbites, the theatrical trailer, a few filmographies and a 15-minute to-camera interview with Altman. --Kim Newman