Based on one of Walter Scott's most melodramatic novels, what is arguably Donizetti's best tragic opera is here presented in its French version, Lucie de Lammermoor. The hapless Lucia (Patrizia Ciofi) tries to refuse the marriage to a minister that will rescue her family's fortunes in favour of her beloved, the family's worst enemy Edgard (Roberto Alagna). Predictably this all ends in many deaths and the audience's tears. Evelina Pido and the Orchestre Nationale de Lyon tear through the fairly unsubtle score with considerable brio and they and the cast are admirable in the opera's quieter more thoughtful moments--the famous Act Two sextet and Lucia's mad scene, in which Ciofi is solidly excellent rather than deeply memorable. Alagna turns in his usual high-gloss performance as Edgard and manages to make his final aria more moving than the quality of the piece deserves. This is an idiomatic and effective performance in a solid made-for-TV production, albeit one that never comes across as notably original.

On the DVD: Lucie de Lammermoor is presented on disc in 16:9 ration with Dolby Digital 5.1, DTS or LPCM stereo sound options. It has subtitles in English, German, French, Spanish and Italian. --Roz Kaveney

Based on a memoir by former undercover cop Joe Pistone (whose daring and unprecedented infiltration of the New York Mob scene earned him a place in the federal witness protection program), Donnie Brasco is like a de-romanticised, de-mythologised version of The Godfather. It offers an uncommonly detailed, privileged glimpse inside the world of organised crime from the perspective of the little guys at the bottom of Mafia hierarchy rather than from the kingpins at the top. Donnie Brasco is not only one of the great modern-day gangster movies to put in the company of The Godfather films and GoodFellas, but it is also one of the great undercover police movies--arguably surpassing Serpico and Prince of the City in richness of character, detail and moral complexity. Donnie (Johnny Depp, a splendid actor) is practically adopted by Lefty Ruggiero (Al Pacino), a gregarious, low-level "made" man who grows to love his young protégé like a son. (Pacino really sinks into this guy's skin and polyester slacks and creates his freshest, most fully realised character since his 1970s heyday.) As Donnie acclimates himself to Lefty's world, he distances himself from his wife (a terrific Anne Heche) and family for their own protection. Almost imperceptibly his sense of identity slips away from him. Questioning his own confused loyalties, unable to trust anybody else because he himself is an imposter, Donnie loses his way in a murky and treacherous no-man's land. The film is directed by Mike Newell, who also headed up Four Weddings and a Funeral and the gritty, true crime melodrama Dance with a Stranger. --Jim Emerson

High school student, Donnie, is regularly visited by a six-foot tall rabbit called Frank... On one occasion Frank tells Donnie that the world will end in a few weeks and Donnie starts to believe him...

High school student, Donnie, is regularly visited by a six-foot tall rabbit called Frank... On one occasion Frank tells Donnie that the world will end in a few weeks and Donnie starts to believe him...