Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches but his charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well-meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in the theatre reaches heartbreaking proportions). Williams is given plenty of latitude to work in his brand of improvisational humour, though it is all well-woven into his character's style of instruction. --Tom Keogh

Twin brother codirectors Albert and Alan Hughes planned their first film, the 1991 ghetto crime drama Menace II Society as a response to John Singleton's Boyz N the Hood, which they considered wimpy and moralistic. They set their sights on The Deer Hunter in this ambitious follow-up, and they just about pull it off. Larenz Tate (from Why Do Fools Fall in Love) plays Anthony Curtis, an open-hearted African American teenager who gets shipped out to Vietnam with several of his pals, witnesses unspeakable horrors and then struggles to readjust to civilian life. The evolving textures of life in a declining inner-city neighbourhood over a period of a decade are seamlessly evoked and there's enough nuanced character development and personal interaction for a seven-hour miniseries. Still in their early 20s, the Hughes brothers are already poised and masterful movie makers; they cover an enormous amount of historical and emotional ground and every twist and turn is crystal clear. They betray their inexperience only at the very end, in an elaborately staged heist sequence that, while stunningly executed, feels a bit desperate, as if they were reaching blindly for a big pay off. Chris Tucker (Rush Hour) has a startling supporting role as a kid who becomes a junkie during the war and never quite recovers. --David Chute

Like many other films by Canadian director David Cronenberg (especially Crash), Dead Ringers presents the cinematic and psychological equivalent of an automobile accident--you dare not look, but you can't turn away. The film marked a directorial breakthrough for Cronenberg, who was able to continue some of the themes explored in his earlier horror films while graduating to a higher, more critically "respectable" level of artistic sophistication. The film is loosely based, amazingly enough, on a true story about twin gynaecologists who routinely traded each others' identities, lives and even lovers. Utilizing innovative split-screen technology (years before computer manipulation made such trickery much easier), the film stars Jeremy Irons in flawless dual roles as the identical brothers Beverly and Elliot Mantle. Their ability to instantly switch identities leads them to a shared relationship with a well-known actress (Genevieve Bujold) and, ultimately, a physical and psychological tailspin that sends them both to the brink of madness and death. The scenario suggests that both men are halves of a whole, and that one cannot exist without the other. But when Beverly pursues a kinky, drug-addicted affair with the actress, his more self-controlled brother is helpless to prevent their mutual decline. In this way Dead Ringers becomes a fascinating and stylistically clinical study of duality, and Cronenberg doesn't shy away from the dark and unpleasant aspects of the story. (One look at the movie's display of bizarre gynaecological instruments and you'll know why women find this film particularly--and unforgettably--disturbing.) The Criterion Collection DVD includes illuminating commentary by Cronenberg, Irons, production designer Carol Spier and others; extensive production information; interviews with the principal cast; and a detailed examination of the film's groundbreaking use of invisible special effects. --Jeff Shannon, Amazon.com --This text refers to the DVD edition of this video.

The standard of the impressions in Dead Ringers is never less than superb, even when some of the more obvious characters (Rolf Harris, Nigella Lawson and Parkinson, for example) seem over-familiar thanks to the BBC's other similar series, Alistair McGowan's Big Impression. Others, such as Thora Hird or Tom Baker as Doctor Who, simply lack the contemporary edge present throughout the rest of the show. But for the most part the large and talented cast provide enough variety to ensure that the sketches are a pleasure to watch: be it George W Bush's "shockerating" and "erogenous" use of the English language, interviews with the aggressive Lothario Russell Crowe, the reinvention of Michael Buerk as a threatening celebrity kingpin, or the appropriately pretentious Newsnight Review send-up.

One of the most unique and rewarding segments of the show captures the cast on hidden cameras interacting with members of the public while in disguise. Thus we are treated to the unusual sight of Tony Blair addressing a confused bus queue, Jimmy Hill attempting stand-up at a hostile open-mike night, and Gladiator's Maximus Decimus Meridias getting quotes from real-life builders for the reconstruction of his ransacked Roman estate. "I'm not sure I like the sound of decking, how about some Saxon paving?"

On the DVD: Dead Ringers DVD features all six episodes from the first series, including the Christmas special plus the original Pilot. The only features are episode and scene selection. --Paul Philpott