A genetically-enhanced 18-year-old girl escapes from a lab project and works for a messenger service in the post-apocalyptic Pacific Northwest

Keough is a young blood, eager to prove himself in the police force. When on an assignment he is put along with two veterans he always idolised, he is elated. But soon, he learns the harsh realities.

The most durable war films tend to have a personal dimension, and Dark Blue World is no exception. This simple but affecting story of Czech air pilots serving in the RAF during the Second World War is sensitively directed by Jan Sverak from a script by his father Zdenek, whose Kolya was an unexpected but deserved hit with UK audiences.

Dark Blue World focuses on the relationship between Frantisek Slama (played with quiet authority by Ondrej Vetchy) and his protégé Karel Vojtisek (a fresh-faced Krystof Hadek). Escaping Czechoslovakia during the Nazi invasion of 1939, they enlist in the RAF, where the father/son relationship is threatened by their mutual attraction to the apparently widowed Susan (Tara Fitzgerald, thoughtfully understated). The film's culmination sees them reconciled in moving circumstances, and the perspective is widened by scenes set in 1950: Slama, as with most Czech soldiers who fought with the Allies, having been sentenced to hard labour by the Communist authorities as a potential security threat. His decent treatment by a German doctor, as opposed to the brutality of the Czech guards, points up the tragic irony of those who fought for freedom, only to finish up on the "wrong" side of the Iron Curtain.

Sverak maintains a persuasive balance between action sequences--into which out-takes from the 1969 epic The Battle of Britain have been seamlessly integrated--and the intimate portrayal of human relationships at a time of profound cultural upheaval. The musical score, tellingly arranged by Adam Klemens, centres around the pre-war song "Svita"--a haunting reminder of old-world charm in contrast to new-world grimness. Dark Blue World persuasively locates a human quality within the historical framework, and so makes for rewarding viewing.

On the DVD: Dark Blue World's original 2.35:1 aspect ratio (enhanced for widescreen TVs) reproduces with excellent clarity. Subtitles are in English only--necessary as the soundtrack includes dialogue in Czech and German--with full English subtitles for the hard of hearing. There's a joint running commentary from the Sveraks, an insightful making of documentary, and featurettes giving the low-down on visual effects and aerial sequences. The running photo montage allows for a full run-through of the indelible song "Svieta", and both the English and (very different) Czech trailers are included. Would that all present-day films were as well catered for. --Richard Whitehouse

If you're a fan of brooding comic-book anti-heroes, got a nihilistic jolt from The Crow (1994) and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plussets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Surfboarder JC was king of the waves when he was twenty... but now thirty looms and his girlfriend is looking for commitment. He must face his biggest decision yet - waves or women...