1. Proving her theory that all the good men are already engaged is Philip a married man. But this time, she cant resist?2. In army it is important to keep the men and women separately. When Adm. Matt does the mistake of taking in nurses into an all male submarine, it proves fatal. 3 After seven long years, his wife returns. But she makes her entry on the day he plans to marry another woman. 4. Dr. David is just one bone away from a million dollar deal for a dinosaur. Enter Susan, and that's it. It could never go more horrible than this. A laugh riot.

This generously filled two-disc special edition presentation of Casablanca features the film itself in an impressively clean new digital transfer on the first disc, with hiss-free mono sound. It's prefaced by a rather pointless introduction from Lauren Bacall (it would surely be churlish to point out that Casablanca was made two years before Bacall met Bogart) and accompanied by two full-length and fact-packed audio commentaries, one from film critic Roger Ebert, who hardly pauses to take a breath, and the other from film historian Rudy Behlmer, who provides in-depth background detail.

The second disc features a plentiful collection of sundry archival features and more from Bacall, who hosts the two documentaries: You Must Remember This: The Making of Casablanca and a retrospective of Bogie's career, Bacall on Bogart. Of minor interest are two very short deleted scenes--Laszlo and Rick at the jail, and a German officer's pratfall--which in lieu of any surviving audio track have been subtitled from the original script; there's also five minutes of silent outtakes. An audio-only sample of Max Steiner's music-scoring sessions features Dooley Wilson singing "Knock on Wood" and "As Time Goes By". There are brief reminiscences from Stephen Bogart and Pia Lindstrom (son and daughter of Bogie and Ingrid Bergman, respectively); Bugs Bunny and pals in Carrotblanca; a curious 1955 Warner Bros TV version of the movie; audio excerpts from the "Screen Guild Players Radio Production" featuring the principal cast; plus the usual static galleries and other trivia. All in all, it's a valuable two-disc set that really does provide everything you always wanted to know about one of the most famous movies ever made. --Mark Walker

A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster.

Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modelled on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honour in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast-paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and Good Fellas) but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson

Contemporary jazz, smooth jazz, jazz lite: call it what you will, Casino Lights 99 will fulfil any taste you may have for that kind of funky, groove-oriented instrumental music (with a couple of vocals thrown in for good measure). Filmed at Switzerland's Montreux Jazz Festival in 1999, the concert (also available on CD) features some of the genre's best players, like pianist Bob James and guitarist Larry Carlton, both of whom appear with their own bands, backing other musicians, and with their group Fourplay. Also on hand are keyboardist George Duke, saxophonists Kenny Garrett, Boney James, Kirk Whalum, and Mark Turner, and trumpeter Rick Braun. The performances are all good; these fellows can play, and singers Kevin Mahogany and Gabriela Anders are no slouches either.

The problem lies in the material. Aside from Miles Davis's "Four" (played by Fourplay), the standard "Old Folks" (Turner), and a couple of others, most of what passes for tunes is little more than riff-heavy, melody-free jamming--and that includes two hoary classics, Eddie Harris's "Cold Duck Time" (played here by Carlton) and Herbie Hancock's "Watermelon Man" (the closing number, played by just about everybody). The simple truth is that listening to (and watching) some guy get down with his funky horn again and again gets old over the course of two hours. But then, perhaps you had to be there. --Sam Graham, Amazon.com