Both stylish and stylised, Santosh Sivan's Hindi epic Asoka tells the heavily fictionalised but nonetheless compelling story of India's greatest emperor. In the third century BC the Mauryan king Asoka built a vast empire by means of ruthless conquest; but after the great Kalinga war he became sickened by the terrible slaughter he had caused, converted to Buddhism and dedicated the rest of his life to spreading peace and prosperity.

The film, though, concerns itself only with Asoka's rise to power, his love for the princess Kaurwaki, and his subsequent descent into brutality. Shah Rukh Khan is a brooding and temperamental prince who woos the lovely princess Kaurwaki (Kareena Kapoor) incognito and with the aid of the obligatory song-and-dance numbers. After a promising start involving mythic swords, heroic combat and King Lear-like sibling rivalry, the film falls into a familiar Bollywood groove for a while until events overtake the unlucky lovers and Asoka turns mean when he thinks his princess is dead. She in turn searches vainly for her handsome hero, not knowing his real identity; and when the tyrannical Asoka attacks her kingdom she leads her people against his armies in a near-genocidal war. The finale, after a wonderfully staged battle that employs 6,000 extras, is genuinely touching.

Throughout, the film works best when striving for a realistic tone, though the fairy tale romance and song interludes are doubtless contrived to please the domestic Indian audience more than cynical Europeans. It's a shame that Asoka's true greatness is never realised on screen, as the story ends before his momentous conversion, but as a film that tackles big themes with real visual flair Asoka nonetheless deserves to find a worldwide audience.

On the DVD: Presented in sumptuous widescreen (2.35:1) anamorphic format and in Dolby 5.1, the film can be viewed with or without English subtitles. There are also two short documentaries, in English, featuring interviews with the star and director among others. The five big musical numbers can be accessed all in one go or individually, while a trailer and picture gallery complete a good package. --Mark Walker

If Sylvester Stallone plays the world's number one assassin in this thriller, that must make Antonio Banderas, well, number two. The two are competing to hit the same target for a $20-million payoff and their challenge takes them from explosion to explosion on a cat-and-mouse chase from Seattle to Mexico. Julianne Moore plays the cagey cat fancier and computer hacker who possesses a stolen computer disc that makes her a prime target for bad guys, and Robert Rath (Stallone)is only too happy to come to her defense. Director Richard Donner handles action sequences with adequate flair and has a good time blowing things up. Banderas has fun with the nonsensical plot, and Moore is enjoyable in one of her big-budget mainstream roles. --Jeff Shannon