A profile of the Elvis impersonators of the United States as they prepare to fight for the crown.

A nostalgic, bittersweet ode to the hedonistic rock 'n' roll days of the early 1970s, Almost Famous is Cameron Crowe's most personal, deeply felt film (he even cowrote the original songs with wife Nancy Wilson). "Does anybody remember laughter?" asks one of the characters in a Led Zeppelin reference that typifies how the film works both for those who, like Crowe, remember and love the times and its music, and those who can only look back in wonder at an era when rock music was about something more than just marketing. Closely based on his own coming-of-age experiences as a teenage journalist for Rolling Stone magazine, the story follows the director's alter ego William Miller (sympathetic newcomer Patrick Fugit) on the journey of a lifetime touring with fictional rock band Stillwater, struggling to get the all-important interview, losing his virginity, falling in love, and trying to fend off his obsessively concerned mother (Frances McDormand). Kate Hudson as the "band-aid" (not groupie) Penny Lane is the film's magnetic centrepiece; Billy Crudup plays Stillwater's temperamental and egocentric lead guitarist perfectly; and Philip Seymour Hoffman steals the show as jaded rock journo Lester Bangs, the very personification of "uncool" whose ardent love for music--good, honest music--is at the very heart of this film. "I have to go home" says William on the Stillwater tour bus in one of the many emotionally truthful moments that permeate this wonderful film; "You are home", Penny Lane tells him.

On the DVD: This is an attractive anamorphic 1.85:1 picture, and the fantastic soundtrack gets the Dolby 5.1 treatment. The extra features include the complete performance of Stillwater's Zeppelin-esque "Fever Dog" and a good 25-minute HBO "making-of" featurette with contributions from all the principals ("I really liked hanging out with all the girls on the set", says Patrick Fugit with a straight face). Navigate the special features menus by following the red Stratocasters and find Cameron Crowe's six articles for Rolling Stone that reveal how closely the film is based on his experiences on the road with the Allman Brothers Band and Led Zeppelin. There are also four trailers (only one for this film, oddly), and text-based Filmographies and Production Notes. No commentary, though. --Mark Walker

DVD Special Features:
HBO Making of Featurette
Rolling Stone Article--Original Text be Cameron Crowe
Stillwater's "Fever Dog" Music Video
Filmographies
Production Notes
Trailer
Animated & Interactive Menus
1.85:1 anamorphic widescreen (enhanced for 16:9 TVs)
Dolby 5.1 English, Spanish
Subtitles: English, Spanish, Portuguese

A high-school boy is given the chance to write a story about an up-and-coming rock band as he accompanies it on their concert tour.

After an obligatory prologue in which its detective hero suffers a tragic professional setback, Along Came a Spider (based on the James Patterson novel) sets about its business of luring the viewer into its nefarious plot, relying on the magician's technique of misdirection to reveal a double-whammy surprise. The clever, late-coming plot twist is a bit too mechanical but effectively unexpected, making this a satisfying prequel to the hit thriller Kiss the Girls--based on the first) of Patterson's Alex Cross detective novels--and a welcomed addition to a promising movie franchise. It's no better or worse than a good vintage episode of Peter Falk's Columbo, adhering closely to the mystery-thriller's time-honoured traditions, but with Morgan Freeman settling comfortably into his role as seasoned sleuth Alex Cross, familiar formula is given fresh vitality. When a senator's daughter is kidnapped from her high-security private school, the kidnapper (nicely played by the underrated Michael Wincott) draws Cross into the case, knowing that the psychologist-detective's involvement will bring high-profile publicity. Cross partners with the Secret Service agent (Monica Potter) who botched her assignment, but wait... the movie's got a rabbit in its hat and that rabbit has an ace up its sleeve. Director Lee Tamahori (who brought similar intensity to The Edge) handles the sleight-of-hand with slick precision, dispensing just enough information to keep the viewer off guard without resorting to cheap manipulation. Don't look for much depth of character here, but Along Came a Spider is well served by everyone involved. It's the movie equivalent of a bestseller you'd impulsively buy at the grocery-store checkout, and on those terms it succeeds. --Jeff Shannon, Amazon.com