Too mainstream to be a cult, yet too odd to be totally conventional, Ally McBeal has become one of televisions curios. While its early days saw the show become something of a victim of its own self-conscious stylising, the episodes included on series 4 volume 2 are far stronger in terms of characterisation and plot and the storylines are easy to pick up. Not that the quirks have been exiled--the first programme features McBeal hallucinating about Barry Manilow--rather they have now become part of the overall feel of the show.

Despite the attention lavished on both the lead character and the actress who plays her, the show is a real ensemble piece and works best when all the players are together. One of the collection's weakest moments is the episode that sends the usually excellent Richard and John off to LA on their own, an episode which lays threat to a dreaded spin off. While there are annoying moments--could they not have edited out the "previously on Ally McBeal" parts for retail release and why do they never go out with anyone other than work colleagues--with guest appearances from the likes of Sting this is a must for any fan of the series.

On the DVD: Sadly, the DVD collection betrays very little thought or effort. The pace of the show is certainly brisk (especially when shorn of the adverts) and the picture quality is equally dynamic, instilling real depth to the many aerial shots of Boston itself. Given that music is such an integral part in the show, it is no surprise that the soundtrack has been given a boost by its recreation in Dolby digital stereo. The interactive menu, however, is clumsy to use and having to work back through the options at the end of each episode quickly becomes tiresome. The complete lack of any extras whatsoever is also a definite minus point.--Phil Udell

The first half of Ally McBeal's fourth season starts with that all important question, the one Ally has been waiting for from day one: "Ally will you... move in with me?". As always Ally's romantic dreams never quite become a reality and the series continues within the Grimm Fairy Tale world of Ally's love (and quirky work) life. The most important twist this season occurs in the first episode "Sex, Lies and Second Thoughts"--the departure of Tracy Ullman and Ally's current beau, Brian, to be replaced by the series' new heart-throb Larry (Robert Downey Jr). Initially dating both father and son ("Two's a Crowd") Ally cannot help but become besotted by Larry's charisma; he being a fellow lawyer further seals their bond, that is until Larry's past comes back to haunt him.

Other highlights include a quirky romance for John ("Reason to Belive"), a charity auction leading to an all male fan-club for John ("Love on Holiday") and a romantic connection for Mark--though the recipient of his affection may have hidden more than he bargained for. Unfortunately the series was outshone by the real-life drama of Calista Flockhart's and Downey's rocky relationship along with Downey's drugs convictions. Even though he won a Golden Globe for his performance, he ultimately had to be dropped from the series.

On the DVD: Not much on offer here for Ally's début into the DVD market. The individual episode menu does offer a language selection of French and English and the subtitles for the Netherlands and French. You also have the option to select chapters from the specific episodes, along with a "previously on Ally McBeal..." for that little reminder of whom Ally is dating now. Although standard for a TV DVD release, the 1.33:1 aspect ratio and 2.0 Dolby sound is disappointing for a television series which offers ground-breaking use of special effects. --Nikki Disney

The fifth season was the last series of Ally McBeal, and probably the least satisfying. While always at least slightly entertaining, it was troubled by two conflicting imperatives: first, to steer its neurotic characters and multiplicity of sub-plots towards a coherent and credible resolution; second, to sustain another series of a programme which had, by now, exhausted all the plot possibilities that were remotely believable. The result is a bemusing onslaught of new characters (Ally's Mini-Me Jenny and a barely distinguishable phalanx of lantern-jawed male leads), celebrity cameos (Edna Everage, Christina Ricci, Barry White, Matthew Perry, Jon Bon Jovi), several storylines that would test the credulity of any of the curiously indulgent judges before whom Ally's firm practises (notably the arrival of a 10-year-old daughter that Ally didn't know she had) and one misbegotten attempt to anchor the programme to the real world (the "Nine One One" episode, an unwatchably mawkish allegory about the 9/11 terrorist attacks on the United States).

Granted that Ally McBeal was never intended to be realistic drama, but when the programme spirals entirely off into the realms of the surreal, any possibility of the sort of identification with the characters on which the programme once relied is lost. Though not without its moments, the sudden redemption of Fish, always the best-written character, is deftly handled. Series Five will be of chief interest to adherents who stuck with it through the first four and so wanted to see how it all ends; in keeping with the central character's defining motifs of solipsism and self-pity, it does so with a whimper.

On the DVD: Ally McBeal has episode selector on each disc, and a scene selector within each of those. The final disc contains two short and desultory documentaries on the series billed, somewhat hopefully, as "Special Features". A French audio soundtrack is available, as are subtitles in English, French and Dutch. –-Andrew Mueller

The fifth season was the last series of Ally McBeal, and probably the least satisfying. While always at least slightly entertaining, it was troubled by two conflicting imperatives: first, to steer its neurotic characters and multiplicity of sub-plots towards a coherent and credible resolution; second, to sustain another series of a programme that had, by now, exhausted all the plot possibilities that were remotely believable. The result is a bemusing onslaught of new characters (Ally's Mini-Me Jenny and a barely distinguishable phalanx of lantern-jawed male leads), celebrity cameos (Edna Everage, Christina Ricci, Barry White, Matthew Perry, Jon Bon Jovi), several storylines that would test the credulity of any of the curiously indulgent judges before whom Ally's firm practises (notably the arrival of a 10-year-old daughter that Ally didn't know she had) and one misbegotten attempt to anchor the programme to the real world (the "Nine One One" episode, an unwatchably mawkish allegory about the 9/11 terrorist attacks on the United States).

Granted that Ally McBeal was never intended to be realistic drama, but when the programme spirals entirely off into the realms of the surreal, any possibility of the sort of identification with the characters on which the programme once relied is lost. Though not without its moments, the sudden redemption of Fish, always the best-written character, is deftly handled. Season Five will be of chief interest to adherents who stuck with it through the first four and so wanted to see how it all ends; in keeping with the central character's defining motifs of solipsism and self-pity, it does so with a whimper.

On the DVD: Ally McBeal has episode selector on each disc, and a scene selector within each of those. The final disc contains two short and desultory documentaries on the series billed, somewhat hopefully, as "Special Features". A French audio soundtrack is available, as are subtitles in English, French and Dutch. –-Andrew Mueller