John Adams set out to write an oratorio about the Nativity of Christ; but as he worked on it, El Nino became a more dramatic piece than he intended, flowering into a staged opera in which the oratorio's free-flowing singer's identity becomes an effective statement of a mystical point. Dawn Upshaw and Lorraine Hunt Lieberson--singing a mixture of biblical texts and Spanish/Mexican poetry--are both Mary and at the same time all women. The same is true of the dancer Daniela Graca, the women of the chorus and the young Hispanic-American woman who has her child and argues with her boyfriend in contemporary LA. Willard White is both Joseph and Herod, while the trio of counter-tenors are Angels and Shepherds and Kings. Because the work was written in close consultation with director Peter Sellars, it is a remarkably collaborative vision of music and staging. This is a gloriously sung piece, which continues Adams' voyage through minimalism into a lush tonal style still informed by minimalist simplicity, but it is also an impressive piece of theatre in which every physical gesture has a musical cue. This production from the Chatelet Theatre, Paris, under the baton of Kent Nagano, is more or less definitive.

On the DVD: Unusually for an Arthaus Musik release, this DVD comes with an extended documentary in which Adams, Sellars, Nagano and Upshaw talk insightfully about the creation and nature of the piece. Sellars is particularly impressive in his talk of opera as the art form for a multicultural era. The picture format is 16:9 and the viewer is offered a choice of PCM stereo or Dolby Digital for the audio.--Roz Kaveney

A lovelorn screenwriter turns to his less talented twin brother for help when his efforts to adapt a non-fiction book go nowhere.

This slightly more cohesive follow-up to The Addams Family has the same director, Barry Sonnenfeld (Men in Black), but a better story line. Joan Cusack plays a busty gold digger who ingratiates herself into the Addams home and convinces Uncle Fester (Christopher Lloyd) that she wants to marry him. Besides Lloyd, the cast includes Anjelica Huston and Raul Julia, ideal as those Brontëan lovers, Morticia and Gomez. But Christina Ricci again walks away with the best moments as the chilly Wednesday Addams, making life miserable for two camp counsellors (Peter MacNicol and Christine Baranski) who want her to fit in with other kids. --Tom Keogh, Amazon.com

Actor-director Griffin Dunne made his filmmaking debut with this ethically ambiguous and not-very-funny movie about a pair of jilted lovers (Meg Ryan and Matthew Broderick) who conspire to break up a relationship between their ex-sweethearts (Tchéky Karyo and Kelly Preston). Part classic screwball comedy, part nightmare along the lines of Martin Scorsese's After Hours (in which Dunne starred), part tribute to Hitchcock's Rear Window, Addicted to Love is all over the map and seriously hampered by the sheer, unwarranted nastiness aimed at the innocent characters played by Karyo and Preston. The DVD release includes production notes, original theatrical trailer, optional widescreen and standard formats, and optional French and Spanish soundtracks. --Tom Keogh, Amazon.com