3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com

An entry in the recent rash of crooks-falling-out cynical crime-comedy noirs, Four Dogs Playing Poker opens with a robbery at a wedding in Buenos Aires. Five friends pose as staff and guests to penetrate the secret collector's vault of lecherous father-of-the-bride George Lazenby and walk away with a valuable dancing-girl statue. Back in Los Angeles, the team are visited by their sponsor, hefty guest-star crook Forrest Whitaker, who tells them there's a question as to whether the statue is on the ship that's supposed to be smuggling it into the country. If it doesn't show up they'll have to cough up a million dollars between them or get killed. To underline the point and in the first of many "it-just-doesn't-make-sense" plot turns, Whitaker has his men shoot Tim Curry, organiser of the gang, in the leg and then, to show that trying to leave town is a bad idea, has him hung up dead in a meat locker with his feet chain sawed off (offscreen) by the comedy British double-act thugs. An unbelievably complicated scheme is hatched between the surviving four, two couples, whereby they each take out insurance policies that benefit the rest and pick cards and safety-deposit box-keys that identify one of them as the designated murderer and another as a victim. Naturally, suspicions simmer (one character, when asked if she distrusts her friends, replies "all my friends are thieves") and triple-crosses are hatched. The prolific Olivia Williams, in Lulu wig and American accent, emerges as the star, walking a knife-edge between imperilled heroine and cynical manipulator but she is ably supported by druggie, computer savvy Daniel London, hunky bartender Balthazar Getty and jittery insurance functionary Stacy Edwards. Familiar, if watchable. --Kim Newman

Some movies are so stupid that they are depressing to watch: 40 Days and 40 Nights is one of them. Almost nothing here even remotely resembles genuine human behaviour. Matt (Josh Hartnett) is brutally dumped by his knockout ex-girlfriend, and as a result is so torn-up inside that he vows to give up sexual activity--including masturbation--for Lent. His friends and coworkers start betting on how soon he'll crack. Their scepticism is fuelled when Matt meets Erica (Shannyn Sossamon) at a laundrette. They're immediately smitten with each other, but Matt struggles to stay true to his vow, even though it threatens to founder his potential relationship with Erica. Based on this description, you might think that 40 Days and 40 Nights is a religious educational video, however, the barrage of sex gags and frequent nudity will quickly dispel this notion. --Bret Fetzer