George Clooney's directorial debut, Confessions... follows the true (perhaps?) story of the guy that invented Blind Date amongst other tatty TV shows. What's exciting about that? Well, he also worked for the CIA as an assassin. Now you're interested...

Even in the tiny genre of films based on songs, Convoy is a strange effort--CW McCall's 1977 CB radio-themed novelty hit was just a collection of trucker slang, but here it is gussied up by Sam Peckinpah (no less) as a big rig reprise of The Wild Bunch with Kris Kristofferson as trucker outlaw hero Rubber Duck and a wonderfully oversized Ernest Borgnine as "Dirty Lyle", the "bear" who hates "breakers" and finally decides to call in the National Guard to help him enforce traffic laws with machine guns. The plot is almost invisible, as Rubber Duck and his breaker buddies just up and decide to trundle their lorries across the Western States in a dash for Mexico (no one ever mentions delivering their loads to intended destinations) and becoming such a folk hero that the creepy governor (Seymour Cassell) tries to cash in. Kristofferson and Borgnine were old Peckinpah hands, as is heroine Ali MacGraw (a characterless photographer) and sidekick Burt Young ("Love Machine" aka "Pigpen"), and there's a lot of business about cops and outlaws who mirror each other, but the main attraction is the visuals--huge trucks rolling across desert roads in clouds of dust, police cars crashing through billboards, trucks demolishing a corrupt small town. There are traces of road-movie melancholia in the depressed cafes, jails and laybys where free spirits are broken, but it's still mostly a cash-in on Smokey and the Bandit with a few rags of poetry tossed into the mix.

On the DVD: A letterboxed print, enhanced for 16x9, looks pretty good, with enough widescreen to get all the trucks into the image. But otherwise this is the sort of release that passes off "chapter search" and "multilingual menus" as extras, although there are basic filmographies for the principal and a poster/photo album. The mono soundtrack comes in English, French, Spanish and Italian. --Kim Newman

Robert Altman's films are generally known for their cool misanthropy, but Cookie's Fortune finds the veteran director in atypically genial mood. Set in a sleepy Mississippi township, it takes in suicide, fraud and wrongful arrest, but there's never any feeling of peril. A white Southern sheriff; a black man held for the murder of an elderly white woman; all the ingredients for an explosion of racist venom, you'd think. But no, not this time. The dead woman is the Cookie of the title, sweetly dappy, who decides to join her beloved dead husband; the black man is Willis, her live-in factotum. But Cookie's snobbish niece Camille (Glenn Close, pulling out a few extra stops on her Cruella DeVil persona) can't bear the thought of suicide besmirching the family name, and fixes the evidence so that Willis is accused of murder. Not that the sheriff believes it for a second; hell, he and Willis go fishing together...

As ever, Altman directs with freewheeling aplomb and ropes in a whole cast of eccentric characters, all of whom dive into their roles with gusto. Julianne Moore, as Camille's dippy sister, gets some of the most outrageous scenes; her gloriously inept performance in Wilde's Salome for the local amateur production has to be seen to be disbelieved. OK, maybe the South was never as lazily easy-going and largely colour-blind as it's presented here; but it's hard not to suspend disbelief and relax into this beguilingly shaggy-doggish Southern comfort of a movie.

On the DVD: the usual ingredients--theatrical trailer, written production notes, a 10-minute featurette on the making of the movie and brief snatches of interview with the director and his lead players. No revelations, but everyone seems to have had a genuinely good time--as always the actors adore working with Altman. Widescreen (1.85:1) ratio and Dolby 5.1 make the most of his practised eye (and ear) for detail. --Philip Kemp

The deaf, small town sheriff of a small town largely inhabited by the NYPD, discovers crime and corruption amidst those he looks up to and envies.