A "two-plus-one" package from Siren, Comedy Greats features classics from the two greatest silent-screen comics, Charlie Chaplin and Buster Keaton, plus a rather dreary effort from Danny Kaye. Never the most scintillating of comedians, Kaye's personable talents are thinly spread in 1949's The Inspector General. Distantly(!) based on a short story by Russian satirist Nikolay Gogol, this tale of mistaken identity enables Kaye to indulge in obvious wisecracks and not-so-smart dialogue. Sylvia Fine's songs are mildly amusing, and Henry Koster draws capable support from Walter Slezak and Elsa Lanchester, but it's a long haul.

When he made Tilli's Punctured Romance in 1914, Charles Chaplin had yet to perfect the "little man" routine which made him the most popular 1920s screen star. His loveable rogue is well displayed opposite Marie Dressler's formidable country maid, whose unexpected windfall becomes the real object of his desire. Mabel Normand contributes an attractively period chic, and if, in the hands of Mack Sennett, the humour tends to fall back on music-hall slapstick, the historical significance of the film is undoubted.

Yet it's Buster Keaton's 1928 classic Steamboat Bill Jr which comes out on top here. Keaton is perfectly cast as the put upon student, whose bravery saves both his father and his steamboat-owning rival, and wins the hand of the latter's daughter. Solid support comes from Ernest Torrence and the winsome Marion Byron, with Charles Riesner getting maximum drama from the cyclone sequence, but it's Keaton's soulful expression and breathtaking stuntwork which are the most potent reminders of a talent only later to receive its due.

On the DVD: Comedy Greats is acceptably remastered, with 1.33:1 aspect ratio and 12 chapter headings per film, and decently packaged, this is worth acquiring--even though Keaton's film is the only one you're likely return to often. --Richard Whitehouse

Two comic book shop rivals join hands in a desperate attempt to get hold of an antique collection of comic books in possession of an old man not ready to sell them.

Eddie Murphy's 1988 vehicle Coming to America was probably the point at which his status as a mainstream big-screen comedian finally gelled, following the highly successful 48 Hours pairing with Nick Nolte. Never mind the hackneyed storyline: under John Landis's tight direction, he turns in a star performance (and several brilliant cameos) that is disciplined and extremely funny.

Murphy plays an African prince who comes to New York officially to sow his wild oats. Privately, he is seeking a bride he can marry for love rather than one chosen by his parents. With his companion (Arsenio Hall, who pushes Murphy all the way in the comedy stakes), he settles in the borough of Queens and takes a job in a hamburger joint. A succession of hilarious satire-barbed adventures ensue, plus the required romantic conclusion. The script is crammed with ripe one-liners , but "Freeze, you diseased rhinoceros pizzle" has to be the most devastating hold-up line of all time. Film buffs will appreciate a brief appearance by Don Ameche as a down-and-out, but this is Murphy's film and he generates warmth enough to convert the most ambivalent viewer.

On the DVD: The only--rather pointless--extra on offer is the original theatrical trailer which adds nothing apart from a rapid recap of the story. But the 1.78:1 anamorphic widescreen presentation (the picture quality is diamond sharp) and Dolby Digital 5.1 soundtrack recreate the original authentic cinematic experience. The choreography of 1980s pop diva Paula Abdul in the lavish wedding scenes and Nile Rodgers' pounding musical score are the main beneficiaries. --Piers Ford

Sexy Heather Graham leads a hilarious cast in an outrageously high-spirited comedy about the crazy things people will do for love!