Chaplin's personal favourite among his own films, The Gold Rush embodies all the trademarks of his mix of slapstick, satire, social commentary and sentiment--a perfect showcase for his ever-popular Little Tramp. Set during the Klondike Gold Rush in 1898, the film features a comic reworking of the gruesome Donner Party story, where a group of snowbound immigrants resorted to eating their clothes and then each other to stay alive.

It opens with a grand shot of gold prospectors snaking up the side of a mountain. We then see the Tramp, typically estranged from the rest of the group, making his own way across the snow. Seeking shelter in a blizzard, he finds the cabin of the dangerous criminal Black Larson (Tom Murray) and when another prospector, Big Jim McKay (Mack Swain), comes along, the two of them take charge of the cabin and eventually drive him out. Starving on Thanksgiving, the pair decide to dine in style when the Tramp cooks one of his shoes, famously acting as if he's cooking a fine piece of meat; twirling the laces up like spaghetti and savouring every last nibble. When he finally escapes, the Tramp ends up in a local town and falls in love, only to be rebuffed on New Year's Eve. When a chance meeting reunites him with Big Jim, the two go back in search of gold hidden near the cabin.

Despite its unlikely origins, the story is shaped into a classic comedy containing many famous set-pieces, including the cabin teetering on the edge of a cliff and the Tramp morphing into a chicken before the starving Big Jim. Ultimately it's Chaplin's endearing and amusing persona that makes this material genuinely enduring.

On the DVD The Gold Rush comes to DVD in a decent transfer with good mono sound and the option of Dolby Digital 5.1. The second disc of bonus features opens with an introduction by David Robinson, who chronicles Chaplin's work on the film, which was interrupted when his clandestine affair with his 15-year-old leading lady meant that, due to her becoming pregnant, the filming had to close for a few months while a new female lead was found. The original 1925 version of the film, before Chaplin updated it with the addition of sound in 1942, appears in full. The Chaplin Today documentary illustrates the influence of the film on director Idrissa Ouedraogo from Burkina Faso, whose own work follows similar themes, as well as going behind the scenes on the original production. Trailers, posters and stills round off this worthy addition to the Chaplin Collection. --Laura Bushell

One of Charlie Chaplin's most personal projects was 1952's Limelight for which he composed the unforgettably haunting score and which featured his son Sydney in a major supporting role. The result is a bittersweet masterwork, a May-September romance between an ascendant ballerina (Claire Bloom in only her second film) and a fading clown. Script and performances are superb, and though entirely studio-made, with London recreated in America, Chaplin's great visual sensibility ensures the production never feels stage-bound. The story harks back to the glory years of Music Hall and in fictionalised form draws heavily on Chaplin's experiences as recounted in his superb autobiography.

More affectionate and philosophical than the comparable Sunset Boulevard (1950), the story movingly echoes A Star is Born (1937) and The Red Shoes (1948), while one brilliant touch is the inclusion of Chaplin's fellow "silent" era star, Buster Keaton as his stage partner. Comedy is not forgotten, but this is at heart a moving reflection on the passage of time, a deeply autobiographical work in which the never seen background of the Great War is an ironic contrast to Chaplin's celebration of youth, theatre, music, love and life itself.

On the DVD: Limelight is presented in the original 4:3 black and white with excellent mono sound and a picture which apart from a little unobtrusive grain is absolutely immaculate. Also included are French and Italian-dubbed versions and an English Dolby Digital 5.1 version of the soundtrack, which simply adds unnecessary spatial processing to the mono original. The disc features multiple subtitle options, including English for hard of hearing.

Disc 2 features a very useful six-minute introduction by David Robinson and an excellent 26-minute new documentary featuring contributions from Claire Bloom, Sydney Chaplin and Bernardo Bertolucci. One remarkable extra is Chaplin's entire Oscar-winning 58-minute score available as 36 separate musical cues in excellent mono. There is a four-minute scene that was included in the original release of the film and later cut, an unfinished short from 1919, The Professor (6 min), which introduces the flea circus idea developed in Limelight, as well as English and Italian trailers. Also included is a nine-section photo gallery and selection of posters, as well as two extracts from Chaplin reading Footlights, the unpublished novel upon which he based the film. Finally, 15 minutes of colour home movies show the star with his family in 1950 and more remarkably, revisiting the London of his youth in 1959. --Gary S Dalkin

Some of this greatest comedian's works restored digitally to recreate the magic of the bygone era. This volume includes few of the genius' best works such as: 'The Champion' and the 'The Tramp'.

Some of this greatest comedian's works restored digitally to recreate the magic of the bygone era. This volume includes few of the genius' best works like 'A Woman', 'Police' and 'Triple Trouble'.