A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary.

Fairytale fantasy which finds a beautiful young girl meddling with the powers of magic and threatening the Earth with doom. Can the Earth be saved?

A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary.

The fat Brit lass played by the occasional fat American lass returns for more musings on chocolate, men, chocolate and, oh, men. After the phenomenal success of the first, you can be sure similar buttons will be pressed to ensure this sequel makes the millions it's producers and now oscar-nominated star want.

An unexpected box office hit in the late summer of 2000, Bring It On is a smart, snappy teen comedy that bristles with good cheer (literally) and lively, down-to-earth characters. Sunny, happy Torrance (Kirsten Dunst) is the new leader of the Toros, the cheerleading squad of Rancho Carne, an affluent San Diego high school that has lousy football players but one hell of a cheerleading team. National champions, they're the ones who bring in the bodies to the football games with their award-winning moves and sassy grace, and they're poised to take their sixth national cheer title. Torrance's new reign as cheer queen, though, is cut short when she discovers that her snotty, duplicitous forerunner was regularly stealing routines from the East Compton Clovers, the hip-hop influenced cheerleaders of a poor inner city school, and passing them off as the original work of the Toros. Scrambling to come up with a new routine for the Toros--and do the right thing by giving the Clovers their due--Torrance butts heads with the proud and understandably wary Isis (Gabrielle Union), the leader of the Clovers, who wants nothing to do with a rich blonde white girl, but does want to get her squad to the championships. Problem is, only one team can take home the national title. Who's it gonna be? The story may be fairly predictable (who's going to win the big championship?), but director Peyton Reed and screenwriter Jessica Bendinger have fleshed out their characters with formidable strength and provided them with sharp dialogue. Dunst is a radiant comedienne, projecting warmth, determination, sincerity, and a sublime airheadedness, and Union is an impressive dancer and counterpart to Dunst, matching her admirably despite her limited onscreen time. An excellent young supporting cast rounds out the film, most notably Eliza Dushku (Faith of Buffy the Vampire Slayer) and Jesse Bradford (Steven Soderbergh's King of the Hill) as siblings new to Rancho Carne, who become Torrance's best friend and potential new boyfriend, respectively. All in all, a pleasantly surprising and intelligent teen movie. --Mark Englehart, Amazon.com

The pleasingly contrasting comic styles of Queen Latifah and Steve Martin bring some energy to Bringing Down the House, an otherwise hopelessly formulaic comedy. Martin plays Peter, an uptight lawyer too obsessed with work to spend quality time with his kids. Into his life comes Queen Latifah as Charlene, an escaped convict who threatens to wreck his relationship with a wealthy but arch-conservative client (Joan Plowright, in high dudgeon) if Peter won't take up her case. Of course, Latifah's exuberant ways enchant his kids and bring out a looser, livelier side of Peter, all in a series of scenes so standard they hardly register. Thank goodness for Eugene Levy; as one of Peter's law partners with a taste for Charlene's bodacious brand of sexy, Levy's ingenious transformation from nebbish to loverman is the movie's secret weapon, stealthily planting comic explosions amidst the modest rice-krispie-crackle of the stale plot. --Bret Fetzer

Broadcast between 1991 and 1997, The Brittas Empire is a sitcom set in Whitbury New Town Leisure Centre. It stars Chris Barrie as Gordon Brittas, the prattish, blazered manager who remains loudly oblivious to the fact that his high-handed efforts at running the place result in utter calamity. As his gin-supping, nervous wreck of a wife observes, he thinks he's the oil that lubricates the machine but in reality he's "a bag of grit".

This first series introduces Brittas, whose arrival at the new Centre prompts a rash of resignations as his petty and pedantic managerial methods constantly rebound on him. Mishaps in these episodes include a malfunctioning set of automatic doors, a disastrous wedding in the pool and a lost baby. Somehow, however, Brittas' strange sense of idealism keeps him bobbing up as all others sink into despair.

The Brittas Empire could either be seen as a satire on the new tier of superfluous middle-management types who flourished in Tory Britain, or a 90s update of the old stereotype of the bureaucratic buffoon. Compared to, say, Alan Partridge, Brittas seems a bit broad and one-dimensional, a sketch-show character stretched beyond its limits. The rest of the cast don't offer much in the way of resistance or support and Brittas very swiftly becomes very annoying. Despite all problems, however, The Brittas Empire was an immense success, attracting over eight-million viewers at its peak.

On the DVD: The Brittas Empire include some perfunctory, text-only items, including a Chris Barrie biography and a Brittas Fitness Quiz, as well as a sketch performed at the Royal Variety Performance of 1996, in which Brittas reveals himself as an enthusiast for conformity with EEC regulations. --David Stubbs