Follow the progress of Rowan Atkinson's irredeemably wicked Edmund Blackadder throughout history in this complete box set of all four series--from the snivelling War of the Roses-era creep in the Shakespearean parody that was the first series, to his final and unexpectedly noble demise in the trenches of the First World War in Blackadder Goes Forth. In between, of course, we see Edmund at the court of giggly Queen Elizabeth I in Blackadder II, now transformed into the Machiavellian cad audiences came to love so well (thanks to a character overhaul from writing team Ben Elton and Richard Curtis and Rowan Atkinson’s note-perfect performance). Then in Blackadder III he's still scheming, but this time has moved a little down the social ladder as butler to the congenitally stupid Prince Regent on the cusp of the 18th and 19th centuries. In all four generations Blackadder is accompanied (or should that be hampered?) by his faithful yet terminally stupid servant Baldrick (Tony Robinson); and if that wasn't bad enough he also has to put up with the incompetence, pomposity and one-upmanship of a host of other contemporary hangers-on wonderfully played by regular costars Hugh Laurie, Tim McInnery, Stephen Fry, Miranda Richardson and Rik Mayall. Taken as a whole this sharp, cynical, occasionally satirical, toilet humour-obsessed and achingly funny saga deserves to stand alongside Fawlty Towers as one of the best ever British sitcoms. --Mark Walker

The final Blackadder series, which first appeared in 1990, was the most highly evolved of all of the Richard Curtis/Ben Elton-scripted excursions. Having contrived to attain the Crown at the end of the third series, Rowan Atkinson's Edmund Blackadder is now reduced to a mere Captaincy in the trenches during World War I, with these episodes finding him shooting messenger pigeons, grumbling about Charlie Chaplin and unscrupulously evading his patriotic duty to pile over the top and be slaughtered pointlessly. Hugh Laurie plays the upper class silly arse to the hilt while Baldrick, who has grown progressively more stupid throughout the four series, can barely muster the intelligence to move from the spot. Blackadder Goes Forth stoutly refused to the end to abandon its relish for broad, puerile scatological puns: "Captain Darling will pump you thoroughly in the debriefing room," growls Stephen Fry's General Melchett. However, Blackadder's cynicism is laced with genuine despair at the recent madness of World War I. The closing moments of the final episode, as Blackadder and co. finally receive their orders, are handled with sober poignancy and became a frequent fixture in Remembrance Day TV scheduling. --David Stubbs

Blackball marks the feature debut of Paul Kaye, who spins a somewhat more likeable variation on his arrogant Perfect World TV persona in this underdog-triumphs-over-adversity comedy. Set, like Fawlty Towers, in the holiday resort of Torquay, and echoing the small-town seaside pettiness of Tony Hancock's The Punch and Judy Man (1963), Blackball is as bitterly class conscious as either, with Kaye as a working-class, potentially world-champion bowler with an enormous chip on his shoulder. Written by Tim Firth (the man also responsible for 2003's Calendar Girls), the film seems unsure what it wants to be, aiming potshots at the corrupting influence of big money TV deals and commercial tie-ins on traditional values, while simultaneously trampling on those very values by celebrating the repugnant antics of Kaye's MTV-generation angry young sportsman.

Director Mel Smith eventually swamps any satiric intent under a full slate of feel-good comedy clichés, though he does win fine performances from James Cromwell and Bernard Cribbins as Kaye's proud nemesis and kindly uncle respectively. While parts of the script involving their back stories seems to have been left on the cutting room floor, the restrained dignity these two elder statesmen bring to their roles speaks volumes about changes in attitudes between the generations. Consistently amusing, though too predictable to be hilarious, Blackball features strong support from Vince Vaughn, Johnny Vegas, Imelda Staunton and Alice Evans. Stephen Warbeck's score really elevates proceedings once the product-placed rock soundtrack stands aside. --Gary S Dalkin

Laughs with the Thumbs.