Modern-day Iceland is terminally weird, if writer-director Baltasar Kormákur's debut film 101 Reykjavík is anything to go by. Our guide to this particular Icelandic saga is Hlynur, 28-year-old unemployed slacker and one-man Nordic-gloom factory; "I'll be dead after I die. I was dead before I was born. Life is just a break from death," he muses. After his gut-freezingly boring family Christmas dinner--whose highpoint is watching a video of last year's ditto--you can see his point. Distraction, and a welcome dose of Southern warmth, comes in the form of his mother's flamenco teacher Lola (the delicious Victoria Abril). Only after sleeping with her does he discover that she's not just Mum's teacher, but her lover as well.

A little like Pål Sletaune's 1997 Norwegian postie-comedy Junk Mail, 101 Reykjavík gets a lot of lugubrious fun from its protagonist's sheer social and emotional ineptitude--though to give Hlynur his due, most of his mates seem equally clueless, (the women, as so often in this kind of movie, come off rather better). We've been here before, of course--as a male with a severe case of delayed adolescence is gradually brought to engage with adulthood--but the offbeat humour and eccentric details of Kormákur's film keep it fresh and engaging. Whether--in view of remarks like "Reykjavík is like some backwater in Siberia, with glaciated diarrhoea,"--it will do much for the Icelandic tourist trade is another matter!

On the DVD: Filmographies for Kormákur, Abril, and lead male actor Hilmir Snaer Gudnason; subtitles and menu; and the theatrical trailer, which contains snatches of several scenes evidently cut from the final release. The sound is clean and immediate (score co-composed by Damon Albarn) and the widescreen print preserves the original 16:9 ratio. --Philip Kemp

Focused on the madcap lives of flatmates Vince (Sean Lock) and Errol (Benedict Wong), the first series of the critically acclaimed BBC comedy Fifteen Stories High craftily points out the eccentricities of the modern world. Vince is an oddball with the habits of a man who has spent too much time in his own company. A lifeguard at the local swimming pool, he takes great pride in being able to tell swimmers off for no reason, and obtains his home decorating ideas from photos in Readers' Wives. His lodger, Errol is the opposite of Vince, naively stupid and always taken advantage of by others. But he has his own unusual habits, too, such as tearing at wallpaper whenever he sees an unstuck corner. Vince has the weirdest encounters, though: such as being locked in the stocks for six hours when wrongly accused of killing a swan; or taken hostage by a neighbour when he spies a moon-boot wearing Shetland pony in the man's spare bedroom.

Equally as funny are the short stories of the other residents living in the tower block that are interspersed between the antics of Vince and Errol. Enclosed within the four walls of different flats on the estate, these claustrophobic locations provide the ideal settings for the extreme behaviours depicted. There's the hygiene obsessive who forces a visiting double-glazing salesman to take a bath and wear a protective suit before being able to look round his flat; the old man who spends all night in front of a mirror in a pair of underpants pretending he's James Bond; and a New Age enthusiast who's always getting disturbed when recording relaxation tapes. The general weirdness of the series takes some getting used to, but once you decipher the crazy world of Vince and Errol this is five-star comedy with a dark tinge. --John Galilee

New York-1950. A young man has just won the State Lottery, and is now all set to be the new millionaire. But, his Dad is running away from a mafia mob with whom he raised a huge debt.